ERMeCC Doctoral Dissertations

This page lists all dissertations published by PhD candidates from the Erasmus Research Centre for Media, Culture and Communication. 

List of graduates
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Musical Topophilia: A critical analysis of contemporary music tourism
Leonieke Bolderman, 2018
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Regarding Distant Suffering
Regarding Distant Suffering: Audience engagement with representations of humanitarian disaster
Johannes von Engelhardt, 2018
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Authenticity Revisited - Dissertation Niels van Poecke
Authenticity Revisited: The production, distribution, and consumption of independent folk music in the Netherlands (1993-present)
Niels van Poecke, 2017
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Games om te overtuigen hebben effect
Playing to win over: validating persuasive games
Ruud Jacobs, 2017
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Cover Image Abby Waysdorf Dissertation
Placing Fandom: Film Tourism in Contemporary Fan Culture
Abby Waysdorf, 2017
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Driessen Dissertation Cover
The Affordances of Repackaged Popular Music From the Past
Simone Driessen, 2017
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Negotiating Normalcy and Difference: Discourses on cultural taste and symbolic boundaries.
Janna Michael, 2017
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Reading Suffering. An empirical inquiry into empathic and reflective responses to literary narratives.
Emy Koopman, 2016
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Young, Online and Connected.
Marjon Schols, 2015
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Popular Music Memories: Places and Practices of Popular Music Heritage, Memory and Cultural Identity.
Arno van der Hoeven, 2014
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What Happened to Autonomy? Visual art practices in the creative industries Era.
Anna van Dillen, 2014
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The Extended Media Consumer. Online media consumption, production and use in an age of participation.
Mijke Slot, 2013
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Kick Back van de Muziekuitgevers: belang en gedrag van een verborgen deel van de creatieve industrie.
Wes Wierda, 2013
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Dutch Pop Music is Here to Stay. Continuïteit en vernieuwing van het aanbod van Nederlandse popmuziek 1960-1990.
Olivier van der Vet, 2013
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Territorial Factors in a Globalised Art World? The Visibility of Countries in International Contemporary Art Events.
Femke van Hest, 2012
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Terms of Enjoyment. Film Classification and Critics' Discourse in Comparative Perspective.
Annemarie Kersten, 2012
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Canonieke Icoonfoto's: de rol van (pers)foto's in de Nederlandse geschiedschrijving.
Martijn Kleppe, 2012
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The Classification and Consecration of Popular Music: Critical Discourse and Cultural Hierarchies.
Vaughn Schmutz, 2009
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Classification into the Literary Mainstream? Ethnic Boundaries in the Literary Fields of the United States, the Netherlands and Germany, 1955-2005.
Pauwke Berkers, 2009
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Where Corporate Culture and Local Markets Meet. Music and Film Majors in the Netherlands, 1990- 2005.
Miriam van de Kamp, 2009
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Classifications in Popular Music: Discourses and Meaning Structures in American, Dutch and German Popular Music Reviews.
Alex van Venrooij, 2009
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