Current facets (Pre-Master)

prof.dr. (Filip) F.R.R. Vermeylen

prof.dr. (Filip) F.R.R. Vermeylen
Endowed Professor Erasmus School of History, Culture and Communication Department of Arts & Culture Studies
Location
Erasmus University Rotterdam
Room
-
Telephone
Email
vermeylen@eshcc.eur.nl
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Profile

Filip Vermeylen (PhD. Columbia University 2002) is Professor of Global Art Markets. He lectures and publishes on various aspects of the economics of art and culture, and is currently the chair of the Department of Arts and Culture Studies. He is especially interested in the history and functioning of art markets since the Renaissance, the notion of quality in the visual arts, the role of intermediaries as arbiters of taste and emerging art markets such as India. He is a board member of The International Art Market Association (TIAMSA) and co-founder of the Rotterdam Arts & Sciences Lab (www.rasl.nu). Together with Christian Huemer (Belverdere, Vienna), he is currently writing a book on the…

Filip Vermeylen (PhD. Columbia University 2002) is Professor of Global Art Markets. He lectures and publishes on various aspects of the economics of art and culture, and is currently the chair of the Department of Arts and Culture Studies. He is especially interested in the history and functioning of art markets since the Renaissance, the notion of quality in the visual arts, the role of intermediaries as arbiters of taste and emerging art markets such as India. He is a board member of The International Art Market Association (TIAMSA) and co-founder of the Rotterdam Arts & Sciences Lab (www.rasl.nu). Together with Christian Huemer (Belverdere, Vienna), he is currently writing a book on the history of the art market which will be published by Getty Publications.

For more details, please visit his website: http://filipvermeylen.com/

        • K.J. De Clippel & F.R.R. Vermeylen (2015). In search of Netherlandish art. De Zeventiende Eeuw, 31 (1), 2-17.
        • F.R.R. Vermeylen & A. Shaban (2015). Trade in the creative sector. Comparing India with China, Brazil and UK. Economic and Political Weekly, 1 (20), 68-75.
        • C. Rasterhoff & F.R.R. Vermeylen (2015). Mediators in trade and taste. Dealing with demand and quality uncertainty in the global art market of the seventeenth century. De Zeventiende Eeuw, 31 (1), 138-158.
        • K.A.J. de Clippel & F.R.R. Vermeylen (2014). Rubens goes Dutch. Cultural transmission and artistic exchanges in the Low Countries. The Rubenianum Quarterly, 1 (16), 3-4.
        • F.R.R. Vermeylen (2014). Greener pastures? Capturing artists’ migrations during the Dutch Revolt. Nederlands Kunsthistorisch Jaarboek, 63 (1), 40-57. doi: 10.1163/22145966-06301003
        • P. Arora & F.R.R. Vermeylen (2013). The end of the art connoisseur? Experts and knowledge production in the visual arts in the digital age. Information, Communication and Society (online), 1 (21), 1-33. doi: http://dx.doi.org/10.1080/1369118X.2012.687392
        • F.R.R. Vermeylen, M.F. van Dijck & V.J.U. de Laet (2013). The test of time. Art encyclopedia and the formation of the canon of seventeenth-century painters in the Low Countries. Empirical Studies of the Arts, 31 (1), 81-105. doi: http://dx.doi.org/10.2190/EM.31.1.e
        • F.R.R. Vermeylen & P. Arora (2013). The end of the connoisseur? Experts and knowledge production in the visual arts in the digital age. Information, Communication and Society (print), 16 (2), 194-216.
        • F.R.R. Vermeylen & K.J. De Clippel (2012). Rubens and Goltzius in dialogue. Artistic exchanges between Antwerp and Haarlem during the Revolt. De Zeventiende Eeuw, 22 (2), 194-216.
        • K. Jonckheere & F.R.R. Vermeylen (2011). A world of deception and deceit? Jan Campo Weyerman and the eighteenth-century art market. Simiolus: Netherlands quarterly for the History of Art (online), 35 (1-2), 100-113.
        • F.R.R. Vermeylen (2007). The sorrow of Belgium: Tax expenditures as an underused source for financing the arts in Belgium. Boekman. Tijdschrift voor Kunst, Cultuur en Beleid, 1-4.
        • F.R.R. Vermeylen (2006). 15 februari 1515: Prins Karel wordt feestelijk ontvangen. Antwerpen wordt een metropool, 1500-1542. De 25 dagen van Antwerpen, 6, 31-50.
      • F.R.R. Vermeylen, H. Vlieghe & D. Lyna (2008). Auctions and art dealers: the dissemination of Netherlandish painting during the Ancien Régime. Turnhout: Brepols
        • F.R.R. Vermeylen & A. Shaban (2017). Comércio no Setor Criativo: Comparando India com China, Brasil e Reino Unido. In L Valiati & A.L. Do Nascimento Fialho (Eds.), Atlas Economico Cultura Brasileira. Methodologia II (pp. 157-176). Porto Alegre, Brazil: Editora UFRGS
        • F.R.R. Vermeylen (2015). The India Art Fair and the market for visual arts in the Global South. In O. Velthuis & S. Baia Curioni (Eds.), Canvases and Careers in a Cosmopolitan Culture. On the Globalization of Contemporary Art Markets (pp. 31-54). Oxford: Oxford University Press
        • F.J.J. van Hest & F.R.R. Vermeylen (2015). Has the art market become truly global? Evidence from China and India. In W. Been, P. Arora & M. Hildebrandt (Eds.), Crossroads in New Media, Identity and Law (pp. 177-196). New York: Palgrave Macmillan
        • C. Rasterhoff & F.R.R. Vermeylen (2014). The Zeeland connection: the art trade between the southern and the northern Netherlands during the seventeenth century. In N. De Marchi & S. Raux (Eds.), Moving pictures. Intra-European trade in images, 16th-18th centuries (pp. 123-150). Turnhout: Brepols
        • F.R.R. Vermeylen & K.A.J. de Clippel (2013). Frans Hals and the Flemish artists: dialogue or one-way street? In J.C. Tummers, D.M. Atkins & L. Richards (Eds.), Frans Hals. Eye to eye with Rembrandt, Rubens and Titian (pp. 41-54). Rotterdam: nai010 publishers
        • F.R.R. Vermeylen (2013). Between hope and despair. The state of the Antwerp art market, 1566-1585. In K. Jonckheere (Ed.), Art after iconoclasm. Painting in the Netherlands between 1566 and 1585 (pp. 95-108). Turnhout: Brepols
        • F.R.R. Vermeylen & P. Arora (2013). Art markets. In R. Towse & C. Handke (Eds.), Handbook on the digital creative economy (pp. 322-329). Cheltenham: Edward Elgar
        • F.R.R. Vermeylen & K.J. De Clippel (2013). Frans Hals en zijn Vlaamse collega's: dialoog of eenrichtingsverkeer? In J.C. Tummers, D.M. Atkins & L. Richards (Eds.), Frans Hals. Oog in oog met Rembrandt, Rubens en Titiaan (pp. 41-54). Rotterdam: nai010 publishers
        • F.R.R. Vermeylen (2010). The colour of money. Dealing in pigments in sixteenth-century Antwerp. In J. Kirby (Ed.), Europen trade in painters' materials to 1700 (pp. 356-365). London: National Gallery of art
        • F.R.R. Vermeylen (2010). Antwerpen wordt een metropool, 1500-1542. In Het groot geschiedenisboek van Antwerpen (pp. 71-82). Zwolle: Waanders
        • F.R.R. Vermeylen (2009). Introduction. In F.R.R. Vermeylen, H. Vlieghe & D. Lyna (Eds.), Arts Auctions and art dealers: the dissemination of Netherlandish painting during the Ancien Régime (pp. 1-4). Turnhout: Brepols
        • F.R.R. Vermeylen (2009). Art auctions in seventeenth and eighteenth centuries. In F.R.R. Vermeylen, H. Vlieghe & D. Lyna (Eds.), Arts Auctions and art dealers: the dissemination of Netherlandish painting during the Ancien Régime (pp. 139-153). Turnhout: Brepols
        • F.R.R. Vermeylen (2007). Antwerpen: het Onze-Lieve-Vrouwepand. Vernieuwingen in de kunsthandel. In Plaatsen van herinnering. Nederland van prehistorie tot Beeldenstorm (pp. 460-469). Amsterdam: Bakker
        • F.R.R. Vermeylen (2006). The art of the dealer. Marketing paintings in early modern Antwerp. In H. Cool & M. Keblusek (Eds.), Your humble servant: agents in early modern Europe, 1500-1800 (pp. 109-120). Hilversum: Verloren
        • F.R.R. Vermeylen (2006). Adulturous woman on the loose : Rubens paintings sold at auction in Antwerp during the eighteenth century. In K..van.der Stighelen (Ed.), Munuscula amicorum: contributions on Rubens and his colleagues in honour of Hans Vlieghe (Pictura Nova X) (2 dl. (VII, 688 p.)) (pp. 185-198). Turnhout: Brepols
        • F.R.R. Vermeylen (2006). The Antwerp Guild of Saint Luke and the marketing of paintings, fifteenth-eighteenth centuries. In N. De Marchi & H...van Miegroet (Eds.), Mapping markets for paintings in Europe and the New World, 1450-1750 (pp. 189-208). Turnhout: Brepols
        • F.R.R. Vermeylen (2011). De Antwerpse kunstmarkt tijdens de 16e en 17e eeuw. In B. de Baere & I. Kockelbergh (Eds.), Beelddenken. Vijf eeuwen beeld in Antwerpen (pp. 216-217). Antwerpen: Schoten
        • F.R.R. Vermeylen (2006). Marinus van Reymerswaele: El cambista y su mujer. In Arte en el dinero. Dinero en el arte (exhib. Cat.) (pp. 238-239). Salamanca: Caja Duero
        • F.R.R. Vermeylen (2006). Taller de Pieter Brueghel El Joven: El abogado del puebleo. In Arte en el dinero. Dinero en el arte (exhib. Cat.) (pp. 244-245). Salamanca: Caja Duero
        • F.R.R. Vermeylen (2006). Kunst en economie. In D. Coninckx & L..van Ootegem (Eds.), Wegwijzer wetenschappelijk werk. Bronnen voor papers en verhandelingen in de bedrijfseconomie (pp. 208-212). Leuven: LannooCampus
        • F.R.R. Vermeylen, H. Vlieghe & D. Lyna (Ed.). (2009). Art Auctions and art dealers: the dissemination of Netherlandish painting during the Ancien Régime. Turnhout: Brepols
        • K.J. De Clippel, F.R.R. Vermeylen & E.J. Sluijter (Ed.). (2015). Art on the Move. Themanummer De Zeventiende Eeuw. Hilversum: Uitgeverij Verloren
      • K.J. de Clipper, E.J. Sluijter & F.R.R. Vermeylen (Eds.). (2015) De Zeventiende Eeuw, 31(1).
      • F.R.R. Vermeylen & A. Sarkar (2016). The commodification of art. Moving Indian painting in the global art market. In Proceedings of the 34th World Congress of Art History. Beijing: CHIA
      • P. Arora & F.R.R. Vermeylen (2013). Bridging online and offline public social spheres to understand contemporary leisure space. In 40th World Congress of the International Institute of Sociology
        • F.R.R. Vermeylen (2018, april 19). The commodification of traditional art in India in the global and digital age. Sotheby's Instititute London, invited lecture.
        • F.R.R. Vermeylen & B. Daga (2018, maart 1). Caught in the wheels of commerce. The commercialization of Madhubani painting in India. Rotterdam, Conference The Values of Craft.
        • F.R.R. Vermeylen (2017, november 28). The historical roots of art fairs in Europe. La Sapienza University, Rome, Conference The Art Market.
        • F.R.R. Vermeylen (2017, december 11). Caught in the wheels of commerce: the commodification of traditional art in contemporary India. Technische Universität Berlin, invited speaker Forum Kunst und Markt / Centre for Art Market Studies.
        • F.R.R. Vermeylen (2017, oktober 12). The commodification of traditional art forms in emerging art markets: the example of India. University of Catania, Italy, Invited speaker at Economics department of Catania University.
        • F.R.R. Vermeylen (2017, oktober 10). The proliferation of art fairs in an historical context. University of Catania, Italy, Invited speaker at Economics department of Catania University.
        • F.R.R. Vermeylen (2017, juli 14). The origins of art fairs. Early examples from Antwerp. Sotheby's Institute, London, Conference The Art Fair (The International Art Market Studies Association).
        • F.R.R. Vermeylen (2016, juni 24). Early use of presale estimates at London art auctions: Exploring Christie’s business model during the early nineteenth century. Valladolid, Spain, Conference Association of Cultural Economists International.
        • F.R.R. Vermeylen (2016, augustus 4). Exploring the art market of the long nineteenth century. Getty Research Institute, Los Angeles (USA), Workshop Art dealers and the making of the American art market.
        • F.R.R. Vermeylen & N. de Marchi (2016, juli 15). Exploring Christie’s business model during the early nineteenth century. Christie's London, Conference Creating markets, collecting art.
        • F.R.R. Vermeylen (2016, maart 7). Christie’s and the professionalization of the art trade in the early nineteenth century. Erasmus University Rotterdam, Seminar The art of persuasion: dealer strategies in the nineteenth-century art market.
        • F.R.R. Vermeylen (2016, juni 23). Artistic innovation and economic growth in historical perspective. Valladolid, Spain, Conference Association of Cultural Economists International.
        • F.R.R. Vermeylen (2016, september 19). The commodification of art. Moving Indian painting in the global art market. Peking University and Central Academy for the Fine Arts, Beijing, China, The 34th World Congress of Art History.
        • F.R.R. Vermeylen (2015, november 21). Master class Emerging Art Markets. Federal University of Rio Grande do Sul, Porto Alegre, Brasil.
        • F.R.R. Vermeylen (2015, januari 7). The European art market in European perspective. Kobe University, Japan.
        • F.R.R. Vermeylen (2015, januari 11). Art and economics in the age of Rubens. Tokyo, Japan, National Museum of Western Art.
        • F.R.R. Vermeylen (2017, december 3). Kunstgalaries in de 21ste eeuw: kansen en uitdagingen. Pulchri Studio, Den Haag, Symposium De Oriënt 2.0.
        • F.R.R. Vermeylen (2016, mei 23). Wat is een goed schilderij? Kwaliteit in de kunst in historisch en geografisch perspectief. Antwerpen, Bijeenkomst Orde van den Prince.
        • F.R.R. Vermeylen (2015, januari 10). Art and economics in the age of Bruegel. Osaka, Japan, National Museum of Fine Art.
        • F.R.R. Vermeylen (2011, september 1). Art experts and intermediaries in the contemporary art market: an economic perspective. Durhum, USA, Department of economics, Duke University.
        • F.R.R. Vermeylen (2007, juli 16). Joachim Patinir and the rise of the Antwerp art market during the sixteenth century. Madrid, Master Class on Patinir, Museo del Prado.
        • F.R.R. Vermeylen & P. Arora (2011). The end of the art connoisseur? Experts in the visual arts market in past and present. Conference Artistic work and creativity in the digital era: Images and Sounds: Avignon (2011, mei 17 - 2011, mei 24).
        • F.R.R. Vermeylen & P. Arora (2011). The rise of new experts: consumers and the art world in the digital age. ECREA Workshop on Digital Culture and Communication: Barcelona (2011, november 14 - 2011, november 15).
        • F.R.R. Vermeylen & M.F. van Dijck (2011). Canon formation and the test of time in the visual arts in the Low Countries, seventeenth century-present. Workshop Art markets: Brussels (2011, april 29).
        • F.R.R. Vermeylen & P. Arora (2011). The rise of new experts: consumers and the art world in the digital age. Workshop Participatory knowledge production 2.0. Critical views and experiences: Maastricht (2011, maart 23).
        • F.R.R. Vermeylen (2011). Waiting for Rubens: The Antwerp Art Market in Transition 1585-1608. Conference Die Rekonstruktion der Gesellschaft aus der Kunst: Antwerpener Malerei und Graphik in und nach den Katastrophen des späten 16: Wolfenbüttel (2011, februari 23 - 2011, februari 25).
        • F.R.R. Vermeylen (2011). Middelburg als centrum voor de kunsthandel tussen de Noorderlijke en Zuidelijke Nederlanden. Symposium Middelburg als artistieke haven tussen Noord en Zuid: Middelburg (2011, februari 4).
        • P. Arora & F.R.R. Vermeylen (2011). Shaping the culture of art markets through new digital learning and evaluation. ECREA Digital Culture and Communication Workshop: Barcelona, Spain (2011, november 24 - 2011, november 25).
        • F.R.R. Vermeylen (2011). Mission impossible? Assessing quality in the visual arts in historical perspective. Workshop Methodologies for the study of collecting: London (2011, juli 8 - 2011, juli 9).
        • P. Arora & F.R.R. Vermeylen (2011). Learning to evaluate art in the digital age. International Research Conference Artistic Work and Creativity in the digital era: images and sounds: University of Avignon and the Vaucluse, France (2011, mei 24 - 2011, mei 27).
        • P. Arora & F.R.R. Vermeylen (2011). The rise of the new experts: Digital learning in the art world. Participatory knowledge production 2.0: Critical views & experiences workshop: Maastricht virtual knowledge studio, Maastricht University (2011, maart 22 - 2011, maart 23).
        • F.R.R. Vermeylen (2011). Kennisoverdracht en artistieke uitwisseling in de Nederlanden tijdens de zeventiende eeuw. Symposium Maatschappij der Nederlandse Letterkunde: Leiden (2011, mei 28).
        • F.R.R. Vermeylen & P. Arora (2011). Battling uncertainty: old and new experts in the market for visual arts. Conference Exploring risk and uncertainty. Metaphores from the art market: London (2011, september 22 - 2011, september 23).
        • F.R.R. Vermeylen (2009). Constructing the canon. Taste formation and eighteenth-century art auctions. Interdisciplinary workshop Art markets in Europe, 1400-1800, Duke University: Durham (2009, september 17 - 2009, september 19).
        • F.R.R. Vermeylen & N. de Marchi (2009). Agglomeration spillovers, buzz, and family ties in sixteenth-century Antwerp. Conference Family ties. On art production, kinship patterns & connections (1600-1800): Leuven (2009, december 10 - 2009, december 12).
        • F.R.R. Vermeylen & K.A.J. de Clippel (2009). A prolonged affair: Antwerp and the Haarlem school of painting during the seventeenth century. Conference City Limits: urban identity, specialization and autonomy in seventeenth-century Dutch art, National Gallery of Ireland and University College Dublin: Dublin (2009, april 24 - 2009, april 25).
        • F.R.R. Vermeylen (2008). The economics of tapestry making. Conference: The Devine art. Four centuries of European tapestries, Chicago, The Art Institute: Chicago (2008, oktober 31 - 2008, oktober 31).
        • F.R.R. Vermeylen (2008). Broadening the horizon: Joachim Patinir and the expansion of the sixteenth-century art market. Symposium Nouvelles iconographies et consommation des images à Avers au XVIe siècle, Université de Lille III: Lille (2008, november 7 - 2008, november 7).
        • F.R.R. Vermeylen (2008). Pricing the canon. Eighteenth-century art auctions as value setting mechanisms. Conference: Association of Cultural Economics International, American University: Boston (2008, juni 12 - 2008, juni 15).
        • F.R.R. Vermeylen (2008). Cultural economics and the market for Flemish tapestries. Symposium European tapestries in the Art Institute of Chicago, Katholieke Universiteit Leuven: Leuven (2008, november 13 - 2008, november 13).
        • F.R.R. Vermeylen (2008). Between hope and despair. The state of the Antwerp art market, 1566-1585. Conference Art after iconoclasm. Painting in the Netherlands between 1566 and 1585, University of Amsterdam: Amsterdam (2008, december 4 - 2008, december 5).
        • F.R.R. Vermeylen (2007). Painting in times of war: the birth of the Dutch art market during the Revolt (1568-1648). Conference The Netherlandish seventeenth century and its afterlives: North Carolina (2007, maart 3 - 2007, maart 3).
        • F.R.R. Vermeylen (2007). The sorrow of Belgium: Tax expenditures as an underused source for financing the arts in Belgium. Symposium: The interactions between public and private financing of the arts and culture: Amsterdam (2007, oktober 5 - 2007, oktober 6).
        • F.R.R. Vermeylen (2006). Scire est mensurare? Culturele economie als wetenschappelijke discipline. Colloquium Markteconomie en kunst: Antwerpen (2006, december 11 - 2006, december 12).
        • F.R.R. Vermeylen (2006). Public services in Rotterdam and Antwerp during the sixteenth and seventeenth centuries. Conference: Social Sciences History: Minneapolis (2006, november 1 - 2006, november 5).
        • F.R.R. Vermeylen (2006). Schilderen volgens de regels. De regulering van de Antwerpse kunstmarkt tijdens de zestiende en zeventiende eeuw. Seminar: Regulering en markt in de vroegmoderne periode: Amsterdam (2006, juni 21 - 2006, juni 21).
        • F.R.R. Vermeylen (2009). Geld voor Cultuur: De financiering van kunst en cultuur in Nederland en Vlaanderen. Workshop: Erasmus Universiteit, de Boekmanstichting en de cel Cultuur van de Vlaamse Gemeenschap: Antwerpen (2009, oktober 12 - 2009, oktober 12).
        • F.R.R. Vermeylen (2015). Not so global after all: the contemporary art market and emerging economies. Conference Between Adonism and Utilitarianism: Art Prices in the Contemporary Art Market: Erasmus University Rotterdam (2015, maart 30).
        • F.R.R. Vermeylen (2015). Keynote: Recent trends in cultural economics. Conference Society for the Advancement of Socio-Economics (SASE): Porto Alegre, Brazil (2015, november 19).
        • F.R.R. Vermeylen (2015). Do we still need art historians? Connoisseurship and art expertise in the digital and global art market. Conference Art market studies: art history’s salvation or doom: Christie’s Education, New York (2015, april 18).
        • L.J.L.M. de Strooper & F.R.R. Vermeylen (2015). Volatility as a measure for the art market. ACEI Conference Canada: Montreal (2014, juni 24 - 2014, juni 27).
        • F.R.R. Vermeylen (2015). Keynote: Continuity and change. The nineteenth-century art market in perspective. Conference Friend or foe: Art and the Market in the Nineteenth Century: Gemeentemuseum The Hague (2015, mei 21 - 2015, mei 22).
        • P. Arora & F.R.R. Vermeylen (2014). The new cultural commons: the art world, new media and a democratic promise. The Netherlands Institute for Advanced Study (NIAS): Wassenaar (2014, november 18 - 2014, november 20).
        • F.R.R. Vermeylen (2014). New information brokers and art canons: online art information search and its implications. Conference Association of Internet Research: Daegu, South Korea (2014, oktober 21 - 2014, oktober 24).
        • F.R.R. Vermeylen (2014). Keynote: In search of Netherlandish art: cultural transmission and artistic exchanges in the Low Countries. Conference Art on the move. Artistic Exchange and Innovation in the Low Countries, 1572-1700: Boijmans Museum, Rotterdam (2014, april 10 - 2014, april 11).
        • C. Rasterhoff & F.R.R. Vermeylen (2014). Mediators of Trade and Taste: Early Modern Dealers and the European Art Market. Conference The art market past and present. Lessons for the future: Sotheby’s Institute, London (2014, oktober 31 - 2014, november 1).
        • F.R.R. Vermeylen & P. Arora (2012). The valorization of art and experts in the contemporary market. 17th International Conference Association of Cultural Economists international: Kyoto, Japan (2012, juni 21 - 2012, juni 24).
        • L.J.L.M. de Strooper & F.R.R. Vermeylen (2012). No Bubble like an Art Bubble? An analysis of recent booms and busts in the international market for paintings. 17th International Conference Association of Cultural Economists international: Kyoto, Japan (2012, juni 21 - 2012, juni 24).
      • F.R.R. Vermeylen (2017, maart 10). De modiale kunstmarkt. De Standaard
      • F.R.R. Vermeylen (2016, december 2). Reizen in eigen klas dankzij verengelsing. De Standaard
      • F.R.R. Vermeylen (2013, februari 15). The India Art Fair Revisited. Delhi Diary, pp. 32-33.
      • F.R.R. Vermeylen (2015). The eye of the beholder? Evolving notions of quality in the global art market. Inaugural lecture Professorship Cultural Economics of Global Art Markets (2015, juni 12). Rotterdam: Erasmus Research Centre for Media, Communication and Culture (ERMeCC)
      • F.R.R. Vermeylen (lead interviewer and narrator) (2017, jan 02). John Maynard Keynes. [televisie-uitzending]. In De herontdekking van de wereld. CANVAS (Belgian TV).
      • F.R.R. Vermeylen (interview) (2016, okt 26). Art as investment. [televisie-uitzending]. In Voor het zelfde geld. Eén (Belgium).
      • F.R.R. Vermeylen (In-depth interview) (2016, dec 17). De man achter John Maynard Keynes. [radio-uitzending]. In De interne keuken. Radio 1 (Belgium).
  • History of the Art Market

    Title
    History of the Art Market
    Year
    2018
    Period
    TERM 2
    Year level
    BA-2 (Algemene Cultuurwetenschappen), BA-2 (International Bachelor Arts and Culture Studies), BA-3 (Algemene Cultuurwetenschappen), BA-3 (International Bachelor Arts and Culture Studies)

    International Art Markets

    Title
    International Art Markets
    Year
    2018
    Period
    TERM 3
    Year level
    MA (Cultural Economics and Entrepreneurship), MA-1 (Sociology of Culture, Media and the Arts (research)), MA (Arts, Culture & Society), Pre-master (Cultural Economics and Entrepreneurship), MA (Place, Culture & Tourism)

    MA Thesis CEE

    Title
    MA Thesis CEE
    Year
    2018
    Period
    TERM 1
    Year level
    MA (Cultural Economics and Entrepreneurship)

    MA Thesis PTC

    Title
    MA Thesis PTC
    Year
    2018
    Period
    TERM 1
    Year level
    MA (Cultural Economics and Entrepreneurship), MA (Place, Culture & Tourism)

    Made in Holland - Duch Creat. Industr.

    Title
    Made in Holland - Duch Creat. Industr.
    Year
    2018
    Period
    TERM 2
    Year level
    BA-2 (International Bachelor Communication and Media)
  • Endowed Professor

    University
    Erasmus University Rotterdam
    School
    Erasmus School of History, Culture and Communication
    Department
    Department of Arts & Culture Studies
    Country
    Nederland
    Telephone

    Endowed Professor

    University
    Erasmus University Rotterdam
    School
    Erasmus School of History, Culture and Communication
    Department
    Department of Arts & Culture Studies
    Country
    Nederland
    Telephone

Address

Visiting address

Burg. Oudlaan 50 3062 PA Rotterdam

Postal address

Postbus 1738 3000 DR Rotterdam