Assistant Professor Erasmus School of History, Culture and Communication Department of Arts & Culture Studies
- Location
- Burg. Oudlaan 50, Rotterdam
- j.schaap@eshcc.eur.nl
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Profile
Dr. Julian Schaap (Rotterdam, 1988) is Assistant-Professor Sociology of Music at the Department of Arts and Culture Studies. His research focuses on stratification in cultural production and consumption practices, with popular music in particular. For more information, please see: www.julianschaap.com
Combining cognitive and cultural sociology with the sociology of ethno-racial/gender stratification, Julian studied the (re)production of whiteness and masculinity of rock music reception for his dissertation research. For this project, entitled ‘Elvis has finally left the building? Boundary work, whiteness and the reception of rock music in comparative perspective’, he received grants from NWO, Fulbright (for a visiting scholarship at Emory University, Atlanta, GA) and the Erasmus Trustfonds. He defended his dissertation cum laude in October 2019 and received multiple awards for his work, including the Praemium Erasmianum Dissertation Prize 2020 and the Erasmus University Research Award 2020.
In 2018, Julian published a book on gender inequality in metal music production, together with Dr. Pauwke Berkers (ESHCC).
Aside from teaching various courses in sociology of culture, he is the organizer of a recurring series of artistic symposia called Music Talks, and he is coordinator of the educational minor program Mu$ic: The economy, sociology and practice of popular music.
Research interests: culture, stratification, wellbeing, popular music
Onderzoeksinteresses: cultuur, ongelijkheid, welzijn, populaire muziek
- F. Vandenberg, M.J. Berghman & J.C.F. Schaap (2020). The ‘lonely raver’: music livestreams during COVID-19 as a hotline to collective consciousness? European Societies, 23 (51), 141-152. doi: 10.1080/14616696.2020.1818271 [go to publisher's site]
- J.C.F. Schaap & P.P.L. Berkers (2020). “You’re Not Supposed to Be into Rock Music”: Authenticity Maneuvering in a White Configuration. Sociology of Race and Ethnicity, 6 (3), 416-430. doi: 10.1177/2332649219899676 [go to publisher's site]
- J.C.F. Schaap, F. Vandenberg & M.J. Berghman (2020). Balkonconcerten, lockdownsessies en quarantunes: muziek als sociale geleider tijdens de COVID-19-pandemie. Sociologie, 1, 101-114. doi: 10.38139/TS.2020.12 [go to publisher's site]
- J.C.F. Schaap & P.P.L. Berkers (2019). “Maybe it’s … skin colour?” How race-ethnicity and gender function in consumers’ formation of classification styles of cultural content. Consumption Markets & Culture, 23 (6), 599-615. doi: 10.1080/10253866.2019.1650741
- J.C.F. Schaap (2019). "Are you at the correct concert?" The mental weighing of gender and race-ethnicity in rock music reception. Tijdschrift voor Genderstudies, 22 (1), 49-65. doi: 10.5117/TVGN2019.1.005.SCHA [go to publisher's site]
- J.C.F. Schaap, J. van der Waal & W. de Koster (2019). Improving Empirical Scrutiny of the Habitus: A Plea for Incorporating Implicit Association Tests in Sociological Research. Sociology, 53 (5), 967-976. doi: 10.1177/0038038519846417 [go to publisher's site]
- J.C.F. Schaap, C.J.M. van Eijck & J. Michael (2019). Cultuursociologie in de lage landen. Sociologie, 14 (2/3), 75-85. doi: 10.5117/SOC2018.2/3.001.SCHA [go to publisher's site]
- J.C.F. Schaap & P.P.L. Berkers (2019). De nieuwe Hendrix: witheid als scheidslijn in de evaluatie van rockmuziek in Nederland en de Verenigde Staten. Sociologie, 14 (2-3), 119-146. doi: 10.5117/SOC2018.2/3.004.SCH
- M.J. Berghman, J.C.F. Schaap & C.J.M. van Eijck (2019). The sociological potential of assessing dual-process cognition in latency-based surveys. An exploration on cultural taste: Comment. Social Science Research.
- M.J. Berghman, J.C.F. Schaap & C.J.M. van Eijck (2019). The sociological potential of assessing dual-process cognition in latency-based surveys. An exploration on cultural taste: Comment. Sociological science.
- H. Savigny & J.C.F. Schaap (2018). Putting the ‘studies’ back in to metal music studies. Metal Music Studies, 4 (3). doi: 10.1386/mms.4.3.549_1
- J.C.F. Schaap (2017). De terugkeer van Alledaags Racisme. Sociologie, 13 (1), 93-108. doi: 10.5117/SOC2017.1.SCHA
- J.C.F. Schaap & S. Aupers (2017). “Gods in World of Warcraft exist”: Religious reflexivity and the quest for meaning in online computer games. New Media & Society, 19 (11), 1744-1760. doi: 10.1177/1461444816642421
- S. Aupers & J.C.F. Schaap (2015). Beyond Belief: Playing with Pagan Spirituality in World of Warcraft. Online - Heidelberg journal of religions on the internet, 7, 190-206. doi: 10.11588/rel.2015.0.18514 [go to publisher's site]
- J.C.F. Schaap (2015). Just like Hendrix: Whiteness and the online critical and consumer reception of rock music in the United States, 2003-2013. Popular Communication, 13 (4), 272-287. doi: 10.1080/15405702.2014.914519 [go to publisher's site]
- P.P.L. Berkers & J.C.F. Schaap (2015). YouTube as a virtual springboard: Circumventing gender dynamics in offline and online metal music careers. Metal Music Studies, 1 (3), 303-318. doi: 10.1386/mms.1.3.303_1
- J.C.F. Schaap & P.P.L. Berkers (2014). Grunting Alone? Online Gender Inequality in Extreme Metal Music. IASPM@Journal, 4 (1), 101-116. [go to publisher's site]
- J.C.F. Schaap (2018). Headbangen of hiphoppen: wat heeft dat nou met kleur te maken? Sociale vraagstukken. [go to publisher's site]
- J.C.F. Schaap, J. van der Waal & W. de Koster (2017). Wat kunnen sociologen met de Implicit Association Test? Sociologie Magazine.
- J.C.F. Schaap & S.D. Aupers (2016). Op zoek naar God in populaire cultuur. Sociologie Magazine, 24 (4), 22-24.
- J.C.F. Schaap (2016). Rock is wit en rap is zwart? Welnee. NRC Handelsblad. [go to publisher's site]
- J.C.F. Schaap (2015). Heeft Elvis het pand verlaten? Sociologie Magazine, 2, 26-28.
- P.P.L. Berkers & J.C.F. Schaap (2018). Gender inequality in metal music production. (Emerald Studies in Metal Music and Culture). Bingley: Emerald Publishing [go to publisher's site] doi: 10.1108/9781787146747
- S.R.J.M. van Bohemen, J.C.F. Schaap & P.P.L. Berkers (2020). The Sex Playlist: How Race and Ethnicity Mediate Musically "Composed" Sexual Self-formation. In E. Barna & T. Tofalvy (Eds.), Popular Music, Technology, and the Changing Media Ecosystem. Pop Music, Culture and Identity (pp. 115-128). London: Palgrave Macmillan, Cham doi: 10.1007/978-3-030-44659-8_7
- J.C.F. Schaap & S. Aupers (2020). Role playing, video games and religion. In A. Possamai & A.J. Blasi (Eds.), The SAGE Encyclopedia of the Sociology of Religion. London: SAGE [go to publisher's site]
- P.P.L. Berkers & J.C.F. Schaap (2018). From thrash to cash: Forging and legitimizing Dutch metal. In G. Keunen & L. Mutsaers (Eds.), Made in the Low Countries: Studies in Popular Music (Routledge Global Popular Music Series). London: Routledge [go to publisher's site]
- S. Aupers, J.C.F. Schaap & L. De Wildt (2018). Qualitative in-depth interviews: Studying religious meaning-making in MMOs. In V. Sisler, K. Radde-Antweiler & X. Zeiler (Eds.), Methods for Studying Video Games and Religion (Routledge Studies in Religion and Digital Culture) (pp. 153-167). New York and London: Routledge [go to publisher's site] doi: 10.4324/9781315518336
- P.P.L. Berkers, J.C.F. Schaap & F. Weij (2018). Winds of change? Longitudinal trends and cross-national differences. In Gender inequality in metal music production (pp. 27-45). Bingley, UK: Emerald Publishing Limited
- J.C.F. Schaap (2020). Uitgaan. In J Jansen & D Jansen (Eds.), CoronA tot Z: 26 wetenschappers over COVID-19 en 26 columns van Dolf Jansen over ongeveer hetzelfde. Amsterdam: Fontaine Uitgevers B.V.
- J.C.F. Schaap (2017). Hoe wordt smaak bepaald? In A. Rinnooy Kan & B. de Graaf (Eds.), Hoe zwaar is licht? Meer dan 100 dringende vragen aan de wetenschap (pp. 261-263). Amsterdam: Balans
- P.P.L. Berkers & J.C.F. Schaap (2017). Elvis Has Left the Building, or Has He? In P. Koudstaal (Ed.), Music Brings Us Together: Music & Art festivals (pp. 152-161). Den Haag: Uitgeverij Komma
- J.C.F. Schaap (2016). Waar is de Rotterdamse lelijkheid gebleven? In E Liukku & S Mandias (Eds.), Help, we zijn populair! Rotterdam: Stad in verandering. Rotterdam: nai010uitgevers
- J.C.F. Schaap (2019). Destined for Greatness. Passions, Dreams, and Aspirations in a College Music Town by Ramirez, M. (2018). [Bespreking van het boek Destined for Greatness. Passions, Dreams, and Aspirations in a College Music Town]. Work and Occupations, 46(2), 229-231. [go to publisher's site] doi: 10.1177/0730888419831729
- J.C.F. Schaap (2019). Kirsten Dyck, Reichsrock: The International Web of White-Power and Neo-Nazi Hate Music. [Bespreking van het boek Reichsrock: The International Web of White-Power and Neo-Nazi Hate Music]. Volume! La revue des musiques populaires, 14(2), 253-255. [go to publisher's site]
- J.C.F. Schaap (2014). Gebonden aan witheid: witte identiteiten en de onbedoelde (re)productie van racisme [Bespreking van het boek White Bound: Nationalists, Antiracists, and the Shared Meanings of Race]. Sociologie, 1(10), 78-83.
- J. van der Waal, K. Noordzij, W. de Koster, T. van Meurs, J. Oude Groeniger, J.C.F. Schaap & V. Visser (2021). Political and Social Attitudes in the Netherlands II: an IAT-survey combination. https://easy.dans.knaw.nl/ui/home [Dataset].
- M.J. Berghman, J.C.F. Schaap, C.J.M. van Eijck, W. de Koster & J. van der Waal (2020, augustus 8). Learning from Latency in Sociological Research: Using the Implicit Association Test to make sense of Timed-Surveys. San Fransisco, 115th Annual Meeting of the American Sociological Association.
- J. Peters & J.C.F. Schaap (2018, augustus 12). The Bearable Lightness of Being, or “Shit Happens”: The Ironic Worldview as a Means for Coping with Life, Death and Suffering. Philadelphia, American Sociological Association.
- J.C.F. Schaap & P.P.L. Berkers (2017, januari 10). Elvis has finally left the building? Whiteness, boundary work and the reception of rock music in comparative perspective. Amsterdam, Symbolic Boundaries – workshop celebrating the honorary doctorate of Michèle Lamont.
- J.C.F. Schaap (2020, november 9). Music and wellbeing in Covid times. Rotterdam, the Netherlands (live and livestreamed), Erasmus SG lectures.
- J.C.F. Schaap (2018, mei 18). Luisteren in zwart/wit: Gender, ras-etniciteit en muzieksmaak. Spui 25 Amsterdam, Proost op de Wetenschap.
- J.C.F. Schaap (2019, september 21). De kleur van muziek. Leiden, Nacht van Ontdekkingen.
- J.C.F. Schaap (2019, mei 2). Luisteren in Zwart-Wit. Rotterdam, Nationale Wetenschapsagenda NWA/NWO ‘Expeditie Next’.
- J.C.F. Schaap (2018, januari 27). Luisteren in zwart/wit: Gender, ras-etniciteit en muzieksmaak. Deventer, KOPfestival.
- J.C.F. Schaap (2018, maart 8). Gender inequality in metal music production. Grounds Rotterdam, Yellow House: International Women's Day.
- J.C.F. Schaap (2018, maart 25). Luisteren in zwart/wit: Gender, ras-etniciteit en muzieksmaak. Utrecht, Sunday Assembly.
- P.P.L. Berkers & J.C.F. Schaap (2018, september 18). Vrouwen met gitaren – Waarom het zo lastig is om het als vrouw te maken in de mannenwereld van de metalmuziek (en hoe dat anders moet). Rotterdam, Studio Erasmus.
- J.C.F. Schaap (2017, oktober 6). Luisteren in zwart/wit: Ras-etniciteit en muzieksmaak. Stadsbibliotheek Den Haag, NWO Nacht van de Wetenschap (plus live stream).
- J.C.F. Schaap (2019, maart 14). Elvis has finally left the building? The sociology of race/ethnicity and popular music. Codarts Rotterdam, Codarts Research Festival.
- J.C.F. Schaap (2019, december 6). Diversity in music. Royal Conservatoire Den Haag, From Talk to Action: Diversity and Inclusion in the Conservatoire (symposium).
- J.C.F. Schaap & P.P.L. Berkers (2019, maart 26). Gender inequality in metal music production. Universiteit Utrecht, Studievereniging Hucbald: Symposium on gender and music.
- J.C.F. Schaap & P.P.L. Berkers (2018, juli 12). Gender Inequality in Metal Music Production. Rotterdam, Codarts Research Event.
- J.C.F. Schaap (2013, mei 24). Op vakantie naar de loopgraven: 100 jaar slagveldtoerisme van 1914 tot nu. Maarn (Nederland), Studiedag Stichting Studiecentrum Eerste Wereldoorlog (SSEW).
- J.C.F. Schaap (2021). Zelfs Covid-19 houdt het dansen niet tegen. De Groene Amsterdammer: .
- J.C.F. Schaap (2020). Vraag het een wetenschapper: Zijn we allemaal racist? Nationale Wetenschapsagenda: Instagram (2020, november 5).
- G. Fonseca Pires, P.P.L. Berkers & J.C.F. Schaap (2019). “My question is more metal than yours!” Gender inequality in metal music journalism. 4th ISMMS biennial international Conference Locating Heavy Metal Music and Culture: Nantes (France) (2019, juli 17 - 2019, juli 20).
- P.P.L. Berkers & J.C.F. Schaap (2019). Gender Inequality in Metal Music Production: A Global Trend Analysis. Popkongress 2019: Passau (2019, februari 14 - 2019, februari 16).
- J.C.F. Schaap & P.P.L. Berkers (2018). Doing diversity or keeping homogeneity: Masculinity and whiteness in rock music classification. American Sociological Association (ASA) conference Feeling Race: Philadelphia, USA (2018, augustus 11 - 2018, augustus 14).
- P.P.L. Berkers & J.C.F. Schaap (2018). Gender inequality in metal music production: A global trend analysis. Conference Keep it simple, make it fast! Gender, differences, identities and DIY cultures: Porto, Portugal (2018, juli 3 - 2018, juli 7).
- M.J. Berghman, J.C.F. Schaap & C.J.M. van Eijck (2018). Let Me Think About That – Developing a latency-based tool for the sociological study of cultural Taste. 10th midterm Conference of the European Sociological Association Research Networks Sociology of the Arts & Sociology of Culture: Malta (2018, september 4 - 2018, september 7).
- J.C.F. Schaap & P.P.L. Berkers (2017). Elvis has finally left the building? Gender, race-ethnicity and social marking in rock music classification. Conference Cultural Sociology Lowlands: Amsterdam (2017, juni 19 - 2017, juni 20).
- F. Vandenberg & J.C.F. Schaap (2017). ‘Any Irish MC’s out there?’ Negotiating class, nationality, masculinity and whiteness in the virtual Irish rap scene. 2nd Annual IASPM Student Conference in Research in Music: Amsterdam (2017, juni 2).
- J.C.F. Schaap & P.P.L. Berkers (2017). Gender inequality in metal music production. Conference Modern Heavy Metal: Markets, Practices and Cultures: Helsinki (2017, juni 28 - 2017, juni 30).
- P.P.L. Berkers, T. Trinh Thanh & J.C.F. Schaap (2017). Hearing whiteness: Race, ethnicity and evaluation of rock music. 19th Biennial IASPM Conference: Kassel (2017, juni 26 - 2017, juni 30).
- P.P.L. Berkers & J.C.F. Schaap (2017). From t(h)rash to profit : A history of the legitimation of metal music. 19th Biennial IASPM Conference: Kassel (2017, juni 26 - 2017, juni 30).
- J.C.F. Schaap & P.P.L. Berkers (2016). (De)constructing a white male space: Gender, race-Ethnicity, and rock music in comparative perspective. American Sociological Association annual meeting: Seattle, United States (2016, augustus 19 - 2016, augustus 23).
- J.C.F. Schaap, J. van der Waal & W. de Koster (2016). The Merits of the Implicit Association Test for Sociological Research. Paper presented at American Sociological Association annual meeting: Seattle, United States (2016, augustus 19 - 2016, augustus 23).
- T. Trinh Thanh, P.P.L. Berkers & J.C.F. Schaap (2016). Hearing whiteness: race, ethnicity and the evaluation of rock music. Keep it simple, make it fast! DIY cultures, spaces & places: Porto, Portugal (2016, juli 15 - 2017, juli 22).
- P.P.L. Berkers, J.C.F. Schaap & F. Weij (2016). Guitar wielding women: gender inequality in metal music production in comparative perspective. Keep it simple, make it fast! DIY cultures, spaces & places: Porto, Portugal (2016, juli 17 - 2016, juli 21).
- J. Peters, S. Aupers & J.C.F. Schaap (2015). The bearable lightness of being or “shit happens”: How Dutch religious nones deal with life, death and suffering. 12th European Sociological Association Conference: Differences, Inequalities and the Sociological Imagination: Prague, Czech Republic (2015, augustus 25 - 2015, augustus 28).
- P.P.L. Berkers & J.C.F. Schaap (2015). (De)constructing a white space: Boundary work, whiteness and the reception of rock music in Rotterdam. Conference Keep it simple, make it fast! Crossing borders of underground music scenes: Porto, Portugal (2015, juli 13 - 2015, juli 17).
- J.C.F. Schaap (2015). (De)constructing a white space: Boundary work, whiteness and the reception of rock music in Rotterdam. The porous walls of fortress Europe: Contemporary media discourses of cultural belonging: Rotterdam, The Netherlands (2015, november 19 - 2015, november 20).
- J.C.F. Schaap & P.P.L. Berkers (2015). Whiteness and the online critical and consumer reception of rock and heavy metal music. International Academic Research Conference: Modern Heavy Metal - Markets, Practices and Cultures: Helsinki, Finland (2015, juni 8 - 2015, juni 11).
- J. Peters, S. Aupers & J.C.F. Schaap (2015). The bearable lightness of being, of “shit happens”. Hoe Nederlandse a-religieuzen omgaan met leven, lijden en dood. NSV Dag van de Sociologie: Amsterdam, the Netherlands (2015, mei 27).
- J.C.F. Schaap (2015). (De)constructing a white space: Boundary work, whiteness and the reception of rock music in Rotterdam. 12th European Sociological Association Conference: Differences, Inequalities and the Sociological Imagination: Prague, Czech Republic (2015, augustus 25 - 2015, augustus 28).
- J.C.F. Schaap & P.P.L. Berkers (2014). So You Think You Can Grunt: Gender and Musical Careers in Online and Offline Metal Scenes. Symposium Metal and Marginalisation: Gender, Race, Class and Other Implications for Hard Rock and Metal: York (2014, april 11).
- J.C.F. Schaap & P.P.L. Berkers (2014). Sounds like Bad Brains: Whiteness and the critical reception of rock music in the United States, Germany and the Netherlands. IASPM Benelux conference A long way to the top: The production and reception of music in a globalized world: Rotterdam (2014, november 6 - 2014, november 7).
- P.P.L. Berkers & J.C.F. Schaap (2014). A long way to the top: The production and reception of music in a globalized world. Main organizer IASPM Benelux conference: Rotterdam (2014, november 6 - 2014, november 7).
- J.C.F. Schaap & P.P.L. Berkers (2014). Net zoals Jimi Hendrix: Whiteness, etno - raciale grenzen, en de receptie van rock muziek in de Verenigde Staten, 2003 - 2013. Dag van de Sociologie: Antwerpen (2014, mei 28).
- J.C.F. Schaap & P.P.L. Berkers (2013). Grunting Alone: Online Gender Inequality in Extreme Metal Music. Etmaal van de Communicatiewetenschap: Rotterdam (2013, februari 7 - 2013, februari 8).
- J.C.F. Schaap & S.D. Aupers (2013). Spirituele ontmoetingen in Azaroth: Religieuze reflectie in World of Warcraft. NSV Dag van de Sociologie: Nijmegen, Nederland (2013, mei 30 - 2013, mei 30).
- P.P.L. Berkers & J.C.F. Schaap (2013). So you think you can grunt? Gender and musical careers in online and offline metal scenes. ESA Conference, Sociology of Culture Section: Torino (Italy) (2013, augustus 28 - 2013, augustus 31).
- P.P.L. Berkers & J.C.F. Schaap (2013). So you think you can grunt? Gender and musical careers in online and offline metal scenes. Conference 'Music Gender Difference: Intersectional and Postcolonial Perspectives on Musical Fields': Vienna (Austria) (2013, oktober 10 - 2013, oktober 12).
- J.C.F. Schaap & P.P.L. Berkers (2013). Just like Hendrix: Whiteness and the reception of rock music in the United States, 2000-2013. Conference 'Traveling Whiteness: Interchanges in the Study of Whiteness': Turku (Finland) (2013, oktober 18 - 2013, oktober 19).
- J.C.F. Schaap & S.D. Aupers (2013). Spiritual encounters in Azaroth: Religious reflexivity in World of Warcraft. ESA Conference, Sociology of Religion Section: Torino, Italy (2013, augustus 28 - 2013, augustus 31).
- J.C.F. Schaap & P.P.L. Berkers (2013). Grunting Alone: Online Gender Inequality in Extreme Metal Music. POPID Conference: Popular Music Heritage, Cultural Memory and Cultural Identity: Rotterdam (2013, januari 30 - 2013, februari 1).
- J.C.F. Schaap & P.P.L. Berkers (2012). Tough Girls, Tough Luck: Gender Inequality in the Online and offline Metal Scene. European Sociological Association Conference: Culture, Communication and Creativity: Berlijn (2012, september 7 - 2012, september 7).
- P.P.L. Berkers & J.C.F. Schaap (2019). Metal: meer muziek voor mannen. Quoted in OneWorld (De Gussum) on gender inequality in metal music: (2019, mei 1).
- P.P.L. Berkers & J.C.F. Schaap (2019). Despite Damning New Research, Women In Country Music Have It Better Than Most. Quoted in KQED Arts (Alexandra) on gender inequality in metal music: (2019, april 9).
- J.C.F. Schaap & P.P.L. Berkers (2018). Het oorverdovende gebrul van metal: Voer voor de wetenschap. Quoted in Trouw (Bart Braun) about scietific study of metal music.: (2018, november 4).
- P.P.L. Berkers & J.C.F. Schaap (2018). Interview Kat Katz metalzangers: ‘Ik was de intimidatie door mannen beu’. Quoted in NRC (Peter Ploeg) about gender inequality about music: (2018, december 13).
- P.P.L. Berkers & J.C.F. Schaap (2017). Zo weinig vrouwen kwamen er afgelopen jaar op de Nederlandse radio. Quoted in De Correspondent (Rufus Kain) about gender inequality about music: (2017, mei 18).
- J.C.F. Schaap (2020). Erasmus University Research Prize 2020. Opening Academic Year 2020-21: Rotterdam, the Netherlands. Wetenschappelijk.
- J.C.F. Schaap (2020). Praemium Erasmianum Foundation Dissertation Prize. Dissertation Prize 2020: Amsterdam, Netherlands. Wetenschappelijk.
- J.C.F. Schaap (2019). EGSH Best Thesis Award 2019. EGSH PhD Excellence Awards: Rotterdam, the Netherlands. Wetenschappelijk.
- J.C.F. Schaap (N8W8 Red de nacht) (2020, okt 14). N8W8 Red de nacht. [internet radio-uitzending]. In N8W8. Rotterdam, the Netherlands: Operator Radio.
- J.C.F. Schaap (BNN/VARA De Nieuws BV) (2020, dec 30). De Nieuws BV. Jongeren en corona. [radio-uitzending]. In BNN/VARA De Nieuws BV. Hilversum, the Netherlands: NPO 1. https://www.nporadio1.nl/de-nieuws-bv/onderwerpen/70065-2020-12-30-hebben-jongeren-nog-wel-de-toekomst
- J.C.F. Schaap (Interview) (2018, sep 07). Whitewashing; racisme of menselijke reactie? [radio-uitzending]. In Riza. Hilversum: BNN/NPO1. https://www.nporadio1.nl/riza/onderwerpen/471008-whitewashing-racisme-of-menselijke-reactie
- J.C.F. Schaap (Interview) (2018, mei 25). Faces of Science - Julian Schaap. [radio-uitzending]. In Focus. Hilversum: NPO Radio 1. https://www.nporadio1.nl/podcasts/dekennisvannu/108176-1-faces-of-science-julian-schaap
- B. Swartjes & J.C.F. Schaap (Festivals and Corona) (2020, dec 03). Music Talks: Festivals and Corona. [webcast]. In Music Talks: Where Music Meets Academia. Roodkapje Rotterdam, the Netherlands: Operator Radio. https://www.youtube.com/watch?v=H0oPZ2DikgQ&feature=emb_logo
- J.C.F. Schaap & J. Haynes (2020). Race, ethnicity and gender in popular music. (podcast). European Center for the Study of Culture & Inequality. (available: 11 Oct 2020).
- J.C.F. Schaap, J. Oude Groeniger & J. van der Waal (2020). Food and health inequalities. (podcast). European Center for the Study of Culture & Inequality. (available: 11 Nov 2020).
- J.C.F. Schaap (2016). Vijf maanden in hyperreëel Amerika. (blog). Faces of Science: Kennislink. (available: 23 Sep 2016).
- J. Peters & J.C.F. Schaap (2016). Shit happens: Rotterdamse nietsisten over de eindigheid en nutteloosheid van het bestaan. (blog). Vers Beton. (available: 4 May 2016).
- J.C.F. Schaap (2016). Waar is de Rotterdamse lelijkheid gebleven? (blog). Vers Beton. (available: 15 Feb 2016).
- J.C.F. Schaap (2016). Rockgitarist? Waarschijnlijk een witte man. (blog). Faces of Science: Kennislink. (available: 17 May 2016).
- J. Peters & J.C.F. Schaap (2016). ‘Shit happens’: How religious nones from Rotterdam deal with the pointlessness of existence. (blog). Erasmus Magazine. (available: 17 May 2016).
- J.C.F. Schaap (2015). De sleutel van (kansrijk) Rotterdam? (blog). Vers Beton: Vers Beton. (available: 7 Dec 2015).
- J.C.F. Schaap (2019, oktober 11). Elvis Has Finally Left the Building? : Boundary work, whiteness and the reception of rock music in comparative perspective. EUR Prom./coprom.: prof.dr. C.J.M. van Eijck & dr. P.P.L. Berkers.
Research Master Seminar
- Title
- Research Master Seminar
- Year
- 2020
- Year level
- MA-1, MA-2
The Popular Music Hit Song Project
- Title
- The Popular Music Hit Song Project
- Year
- 2020
- Year level
- Minor
Master Thesis Class
- Title
- Master Thesis Class
- Year
- 2020
- Year level
- MA
Popular Music: Greatest Hits and Critics
- Title
- Popular Music: Greatest Hits and Critics
- Year
- 2020
- Year level
- Minor
Popular Music: Industry & Society
- Title
- Popular Music: Industry & Society
- Year
- 2020
- Year level
- BA-2, BA-2, BA-3, BA-3, Minor
Master Thesis
- Title
- Master Thesis
- Year
- 2020
- Year level
- MA
Sociology of Arts and Culture
- Title
- Sociology of Arts and Culture
- Year
- 2020
- Year level
- BA-1, BA-1, Pre-master, Pre-master
Sociologie
- Role
- Editor
- Start date approval
- Mar/2017
Assistant Professor
- University
- Erasmus University Rotterdam
- School
- Erasmus School of History, Culture and Communication
- Department
- Department of Arts & Culture Studies
- Country
- The Netherlands
