(Julian) JCF Schaap MSc

All publications (91)

• Article (20)

  • Scholarly Publication (15)

    • J.C.F. Schaap & P.P.L. Berkers (2020). “You’re Not Supposed to Be into Rock Music”: Authenticity Maneuvering in a White Configuration. Sociology of Race and Ethnicity. doi: 10.1177/2332649219899676 [go to publisher's site]
    • J.C.F. Schaap & P.P.L. Berkers (2019). “Maybe it’s … skin colour?” How race-ethnicity and gender function in consumers’ formation of classification styles of cultural content. Consumption Markets & Culture. doi: 10.1080/10253866.2019.1650741 [go to publisher's site]
    • J.C.F. Schaap & P.P.L. Berkers (2019). De nieuwe Hendrix: witheid als scheidslijn in de evaluatie van rockmuziek in Nederland en de Verenigde Staten. Sociologie, 14 (2-3), 119-146. doi: 10.5117/SOC2018.2/3.004.SCH
    • M.J. Berghman, J.C.F. Schaap & C.J.M. van Eijck (2019). The sociological potential of assessing dual-process cognition in latency-based surveys. An exploration on cultural taste: Comment. Social Science Research.
    • J.C.F. Schaap (2019). "Are you at the correct concert?" The mental weighing of gender and race-ethnicity in rock music reception. Tijdschrift voor Genderstudies, 22 (1), 49-65. doi: 10.5117/TVGN2019.1.005.SCHA
    • J.C.F. Schaap, C.J.M. van Eijck & J. Michael (2019). Cultuursociologie in de lage landen. Sociologie, 14 (2/3), 75-85. doi: 10.5117/SOC2018.2/3.001.SCHA [go to publisher's site]
    • J.C.F. Schaap, J. van der Waal & W. de Koster (2019). Improving Empirical Scrutiny of the Habitus: A Plea for Incorporating Implicit Association Tests in Sociological Research. Sociology, 53 (5), 967-976. doi: 10.1177/0038038519846417 [go to publisher's site]
    • M.J. Berghman, J.C.F. Schaap & C.J.M. van Eijck (2019). The sociological potential of assessing dual-process cognition in latency-based surveys. An exploration on cultural taste: Comment. Sociological science.
    • H. Savigny & J.C.F. Schaap (2018). Putting the ‘studies’ back in to metal music studies. Metal Music Studies, 4 (3). doi: 10.1386/mms.4.3.549_1
    • J.C.F. Schaap & S. Aupers (2017). “Gods in World of Warcraft exist”: Religious reflexivity and the quest for meaning in online computer games. New Media & Society, 19 (11), 1744-1760. doi: 10.1177/1461444816642421
    • J.C.F. Schaap (2017). De terugkeer van Alledaags Racisme. Sociologie, 13 (1), 93-108. doi: 10.5117/SOC2017.1.SCHA
    • S. Aupers & J.C.F. Schaap (2015). Beyond Belief: Playing with Pagan Spirituality in World of Warcraft. Online - Heidelberg journal of religions on the internet, 7, 190-206. doi: 10.11588/rel.2015.0.18514 [go to publisher's site]
    • J.C.F. Schaap (2015). Just like Hendrix: Whiteness and the online critical and consumer reception of rock music in the United States, 2003-2013. Popular Communication, 13 (4), 272-287. doi: 10.1080/15405702.2014.914519
    • P.P.L. Berkers & J.C.F. Schaap (2015). YouTube as a virtual springboard: Circumventing gender dynamics in offline and online metal music careers. Metal Music Studies, 1 (3), 303-318. doi: 10.1386/mms.1.3.303_1
    • J.C.F. Schaap & P.P.L. Berkers (2014). Grunting Alone? Online Gender Inequality in Extreme Metal Music. IASPM@Journal, 4 (1), 101-116. [go to publisher's site]

  • Semiscientific Publication (5)

    • J.C.F. Schaap (2018). Headbangen of hiphoppen: wat heeft dat nou met kleur te maken? Sociale vraagstukken. [go to publisher's site]
    • J.C.F. Schaap, J. van der Waal & W. de Koster (2017). Wat kunnen sociologen met de Implicit Association Test? Sociologie Magazine.
    • J.C.F. Schaap (2016). Rock is wit en rap is zwart? Welnee. NRC Handelsblad. [go to publisher's site]
    • J.C.F. Schaap & S.D. Aupers (2016). Op zoek naar God in populaire cultuur. Sociologie Magazine, 24 (4), 22-24.
    • J.C.F. Schaap (2015). Heeft Elvis het pand verlaten? Sociologie Magazine, 2, 26-28.

• Book / Monograph / Book editorial (1)

  • P.P.L. Berkers & J.C.F. Schaap (2018). Gender inequality in metal music production. (Emerald Studies in Metal Music and Culture). Bingley: Emerald Publishing [go to publisher's site]

• Part of book - Chapter (7)

  • Scholarly Publication (4)

    • J.C.F. Schaap & S. Aupers (2020). Role playing, video games and religion. In A. Possamai & A.J. Blasi (Eds.), The SAGE Encyclopedia of the Sociology of Religion. London: SAGE [go to publisher's site]
    • P.P.L. Berkers, J.C.F. Schaap & F. Weij (2018). Winds of change? Longitudinal trends and cross-national differences. In Gender inequality in metal music production (pp. 27-45). Bingley, UK: Emerald Publishing Limited
    • S. Aupers, J.C.F. Schaap & L. De Wildt (2018). Qualitative in-depth interviews: Studying religious meaning-making in MMOs. In V. Sisler, K. Radde-Antweiler & X. Zeiler (Eds.), Methods for Studying Video Games and Religion (Routledge Studies in Religion and Digital Culture) (pp. 153-167). New York and London: Routledge [go to publisher's site]
    • P.P.L. Berkers & J.C.F. Schaap (2018). From thrash to cash: Forging and legitimizing Dutch metal. In G. Keunen & L. Mutsaers (Eds.), Made in the Low Countries: Studies in Popular Music (Routledge Global Popular Music Series). London: Routledge [go to publisher's site]

  • Semiscientific Publication (3)

    • P.P.L. Berkers & J.C.F. Schaap (2017). Elvis Has Left the Building, or Has He? In P. Koudstaal (Ed.), Music Brings Us Together: Music & Art festivals (pp. 152-161). Den Haag: Uitgeverij Komma
    • J.C.F. Schaap (2017). Hoe wordt smaak bepaald? In A. Rinnooy Kan & B. de Graaf (Eds.), Hoe zwaar is licht? Meer dan 100 dringende vragen aan de wetenschap (pp. 261-263). Amsterdam: Balans
    • J.C.F. Schaap (2016). Waar is de Rotterdamse lelijkheid gebleven? In E Liukku & S Mandias (Eds.), Help, we zijn populair! Rotterdam: Stad in verandering. Rotterdam: nai010uitgevers

• Book review (3)

  • Scholarly Publication (2)

    • J.C.F. Schaap (2019). Destined for Greatness. Passions, Dreams, and Aspirations in a College Music Town by Ramirez, M. (2018). [Bespreking van het boek Destined for Greatness. Passions, Dreams, and Aspirations in a College Music Town]. Work and Occupations, 46(2), 229-231. [go to publisher's site]
    • J.C.F. Schaap (2019). Kirsten Dyck, Reichsrock: The International Web of White-Power and Neo-Nazi Hate Music. [Bespreking van het boek Reichsrock: The International Web of White-Power and Neo-Nazi Hate Music]. Volume! La revue des musiques populaires, 14(2), 253-255. [go to publisher's site]

  • Other Publication (1)

    • J.C.F. Schaap (2014). Gebonden aan witheid: witte identiteiten en de onbedoelde (re)productie van racisme [Bespreking van het boek White Bound: Nationalists, Antiracists, and the Shared Meanings of Race]. Sociologie, 1(10), 78-83.

• Lecture (15)

  • Scholarly Publication (2)

    • J. Peters & J.C.F. Schaap (2018, augustus 12). The Bearable Lightness of Being, or “Shit Happens”: The Ironic Worldview as a Means for Coping with Life, Death and Suffering. Philadelphia, American Sociological Association.
    • J.C.F. Schaap & P.P.L. Berkers (2017, januari 10). Elvis has finally left the building? Whiteness, boundary work and the reception of rock music in comparative perspective. Amsterdam, Symbolic Boundaries – workshop celebrating the honorary doctorate of Michèle Lamont.

  • Semiscientific Publication (8)

    • J.C.F. Schaap (2018, mei 18). Luisteren in zwart/wit: Gender, ras-etniciteit en muzieksmaak. Spui 25 Amsterdam, Proost op de Wetenschap.
    • J.C.F. Schaap (2019, mei 2). Luisteren in Zwart-Wit. Rotterdam, Nationale Wetenschapsagenda NWA/NWO ‘Expeditie Next’.
    • J.C.F. Schaap (2019, september 21). De kleur van muziek. Leiden, Nacht van Ontdekkingen.
    • P.P.L. Berkers & J.C.F. Schaap (2018, september 18). Vrouwen met gitaren – Waarom het zo lastig is om het als vrouw te maken in de mannenwereld van de metalmuziek (en hoe dat anders moet). Rotterdam, Studio Erasmus.
    • J.C.F. Schaap (2018, januari 27). Luisteren in zwart/wit: Gender, ras-etniciteit en muzieksmaak. Deventer, KOPfestival.
    • J.C.F. Schaap (2018, maart 8). Gender inequality in metal music production. Grounds Rotterdam, Yellow House: International Women's Day.
    • J.C.F. Schaap (2018, maart 25). Luisteren in zwart/wit: Gender, ras-etniciteit en muzieksmaak. Utrecht, Sunday Assembly.
    • J.C.F. Schaap (2017, oktober 6). Luisteren in zwart/wit: Ras-etniciteit en muzieksmaak. Stadsbibliotheek Den Haag, NWO Nacht van de Wetenschap (plus live stream).

  • Professional Publication (5)

    • J.C.F. Schaap (2019, maart 14). Elvis has finally left the building? The sociology of race/ethnicity and popular music. Codarts Rotterdam, Codarts Research Festival.
    • J.C.F. Schaap & P.P.L. Berkers (2019, maart 26). Gender inequality in metal music production. Universiteit Utrecht, Studievereniging Hucbald: Symposium on gender and music.
    • J.C.F. Schaap (2019, december 6). Diversity in music. Royal Conservatoire Den Haag, From Talk to Action: Diversity and Inclusion in the Conservatoire (symposium).
    • J.C.F. Schaap & P.P.L. Berkers (2018, juli 12). Gender Inequality in Metal Music Production. Rotterdam, Codarts Research Event.
    • J.C.F. Schaap (2013, mei 24). Op vakantie naar de loopgraven: 100 jaar slagveldtoerisme van 1914 tot nu. Maarn (Nederland), Studiedag Stichting Studiecentrum Eerste Wereldoorlog (SSEW).

• Other output (37)

  • Scholarly Publication (2)

    • P.P.L. Berkers & J.C.F. Schaap (2019). Gender Inequality in Metal Music Production: A Global Trend Analysis. Popkongress 2019: Passau (2019, februari 14 - 2019, februari 16).
    • G. Fonseca Pires, P.P.L. Berkers & J.C.F. Schaap (2019). “My question is more metal than yours!” Gender inequality in metal music journalism. 4th ISMMS biennial international Conference Locating Heavy Metal Music and Culture: Nantes (France) (2019, juli 17 - 2019, juli 20).

  • Semiscientific Publication (2)

    • P.P.L. Berkers & J.C.F. Schaap (2019). Despite Damning New Research, Women In Country Music Have It Better Than Most. Quoted in KQED Arts (Alexandra) on gender inequality in metal music: (2019, april 9).
    • P.P.L. Berkers & J.C.F. Schaap (2019). Metal: meer muziek voor mannen. Quoted in OneWorld (De Gussum) on gender inequality in metal music: (2019, mei 1).

  • Other Publication (33)

    • J.C.F. Schaap & P.P.L. Berkers (2018). Het oorverdovende gebrul van metal: Voer voor de wetenschap. Quoted in Trouw (Bart Braun) about scietific study of metal music.: (2018, november 4).
    • M.J. Berghman, J.C.F. Schaap & C.J.M. van Eijck (2018). Let Me Think About That – Developing a latency-based tool for the sociological study of cultural Taste. 10th midterm Conference of the European Sociological Association Research Networks Sociology of the Arts & Sociology of Culture: Malta (2018, september 4 - 2018, september 7).
    • P.P.L. Berkers & J.C.F. Schaap (2018). Interview Kat Katz metalzangers: ‘Ik was de intimidatie door mannen beu’. Quoted in NRC (Peter Ploeg) about gender inequality about music: (2018, december 13).
    • J.C.F. Schaap & P.P.L. Berkers (2018). Doing diversity or keeping homogeneity: Masculinity and whiteness in rock music classification. American Sociological Association (ASA) conference Feeling Race: Philadelphia, USA (2018, augustus 11 - 2018, augustus 14).
    • P.P.L. Berkers & J.C.F. Schaap (2018). Gender inequality in metal music production: A global trend analysis. Conference Keep it simple, make it fast! Gender, differences, identities and DIY cultures: Porto, Portugal (2018, juli 3 - 2018, juli 7).
    • P.P.L. Berkers & J.C.F. Schaap (2017). Zo weinig vrouwen kwamen er afgelopen jaar op de Nederlandse radio. Quoted in De Correspondent (Rufus Kain) about gender inequality about music: (2017, mei 18).
    • J.C.F. Schaap & P.P.L. Berkers (2017). Elvis has finally left the building? Gender, race-ethnicity and social marking in rock music classification. Conference Cultural Sociology Lowlands: Amsterdam (2017, juni 19 - 2017, juni 20).
    • F. Vandenberg & J.C.F. Schaap (2017). ‘Any Irish MC’s out there?’ Negotiating class, nationality, masculinity and whiteness in the virtual Irish rap scene. 2nd Annual IASPM Student Conference in Research in Music: Amsterdam (2017, juni 2).
    • J.C.F. Schaap & P.P.L. Berkers (2017). Gender inequality in metal music production. Conference Modern Heavy Metal: Markets, Practices and Cultures: Helsinki (2017, juni 28 - 2017, juni 30).
    • P.P.L. Berkers, T. Trinh Thanh & J.C.F. Schaap (2017). Hearing whiteness: Race, ethnicity and evaluation of rock music. 19th Biennial IASPM Conference: Kassel (2017, juni 26 - 2017, juni 30).
    • P.P.L. Berkers & J.C.F. Schaap (2017). From t(h)rash to profit : A history of the legitimation of metal music. 19th Biennial IASPM Conference: Kassel (2017, juni 26 - 2017, juni 30).
    • J.C.F. Schaap & P.P.L. Berkers (2016). (De)constructing a white male space: Gender, race-Ethnicity, and rock music in comparative perspective. American Sociological Association annual meeting: Seattle, United States (2016, augustus 19 - 2016, augustus 23).
    • P.P.L. Berkers, J.C.F. Schaap & F. Weij (2016). Guitar wielding women: gender inequality in metal music production in comparative perspective. Keep it simple, make it fast! DIY cultures, spaces & places: Porto, Portugal (2016, juli 17 - 2016, juli 21).
    • T. Trinh Thanh, P.P.L. Berkers & J.C.F. Schaap (2016). Hearing whiteness: race, ethnicity and the evaluation of rock music. Keep it simple, make it fast! DIY cultures, spaces & places: Porto, Portugal (2016, juli 15 - 2017, juli 22).
    • J.C.F. Schaap, J. van der Waal & W. de Koster (2016). The Merits of the Implicit Association Test for Sociological Research. Paper presented at American Sociological Association annual meeting: Seattle, United States (2016, augustus 19 - 2016, augustus 23).
    • J. Peters, S. Aupers & J.C.F. Schaap (2015). The bearable lightness of being, of “shit happens”. Hoe Nederlandse a-religieuzen omgaan met leven, lijden en dood. NSV Dag van de Sociologie: Amsterdam, the Netherlands (2015, mei 27).
    • J. Peters, S. Aupers & J.C.F. Schaap (2015). The bearable lightness of being or “shit happens”: How Dutch religious nones deal with life, death and suffering. 12th European Sociological Association Conference: Differences, Inequalities and the Sociological Imagination: Prague, Czech Republic (2015, augustus 25 - 2015, augustus 28).
    • J.C.F. Schaap (2015). (De)constructing a white space: Boundary work, whiteness and the reception of rock music in Rotterdam. 12th European Sociological Association Conference: Differences, Inequalities and the Sociological Imagination: Prague, Czech Republic (2015, augustus 25 - 2015, augustus 28).
    • J.C.F. Schaap (2015). (De)constructing a white space: Boundary work, whiteness and the reception of rock music in Rotterdam. The porous walls of fortress Europe: Contemporary media discourses of cultural belonging: Rotterdam, The Netherlands (2015, november 19 - 2015, november 20).
    • P.P.L. Berkers & J.C.F. Schaap (2015). (De)constructing a white space: Boundary work, whiteness and the reception of rock music in Rotterdam. Conference Keep it simple, make it fast! Crossing borders of underground music scenes: Porto, Portugal (2015, juli 13 - 2015, juli 17).
    • J.C.F. Schaap & P.P.L. Berkers (2015). Whiteness and the online critical and consumer reception of rock and heavy metal music. International Academic Research Conference: Modern Heavy Metal - Markets, Practices and Cultures: Helsinki, Finland (2015, juni 8 - 2015, juni 11).
    • P.P.L. Berkers & J.C.F. Schaap (2014). A long way to the top: The production and reception of music in a globalized world. Main organizer IASPM Benelux conference: Rotterdam (2014, november 6 - 2014, november 7).
    • J.C.F. Schaap & P.P.L. Berkers (2014). Net zoals Jimi Hendrix: Whiteness, etno - raciale grenzen, en de receptie van rock muziek in de Verenigde Staten, 2003 - 2013. Dag van de Sociologie: Antwerpen (2014, mei 28).
    • J.C.F. Schaap & P.P.L. Berkers (2014). Sounds like Bad Brains: Whiteness and the critical reception of rock music in the United States, Germany and the Netherlands. IASPM Benelux conference A long way to the top: The production and reception of music in a globalized world: Rotterdam (2014, november 6 - 2014, november 7).
    • J.C.F. Schaap & P.P.L. Berkers (2014). So You Think You Can Grunt: Gender and Musical Careers in Online and Offline Metal Scenes. Symposium Metal and Marginalisation: Gender, Race, Class and Other Implications for Hard Rock and Metal: York (2014, april 11).
    • J.C.F. Schaap & S.D. Aupers (2013). Spirituele ontmoetingen in Azaroth: Religieuze reflectie in World of Warcraft. NSV Dag van de Sociologie: Nijmegen, Nederland (2013, mei 30 - 2013, mei 30).
    • J.C.F. Schaap & S.D. Aupers (2013). Spiritual encounters in Azaroth: Religious reflexivity in World of Warcraft. ESA Conference, Sociology of Religion Section: Torino, Italy (2013, augustus 28 - 2013, augustus 31).
    • P.P.L. Berkers & J.C.F. Schaap (2013). So you think you can grunt? Gender and musical careers in online and offline metal scenes. Conference 'Music Gender Difference: Intersectional and Postcolonial Perspectives on Musical Fields': Vienna (Austria) (2013, oktober 10 - 2013, oktober 12).
    • J.C.F. Schaap & P.P.L. Berkers (2013). Just like Hendrix: Whiteness and the reception of rock music in the United States, 2000-2013. Conference 'Traveling Whiteness: Interchanges in the Study of Whiteness': Turku (Finland) (2013, oktober 18 - 2013, oktober 19).
    • J.C.F. Schaap & P.P.L. Berkers (2013). Grunting Alone: Online Gender Inequality in Extreme Metal Music. POPID Conference: Popular Music Heritage, Cultural Memory and Cultural Identity: Rotterdam (2013, januari 30 - 2013, februari 1).
    • J.C.F. Schaap & P.P.L. Berkers (2013). Grunting Alone: Online Gender Inequality in Extreme Metal Music. Etmaal van de Communicatiewetenschap: Rotterdam (2013, februari 7 - 2013, februari 8).
    • P.P.L. Berkers & J.C.F. Schaap (2013). So you think you can grunt? Gender and musical careers in online and offline metal scenes. ESA Conference, Sociology of Culture Section: Torino (Italy) (2013, augustus 28 - 2013, augustus 31).
    • J.C.F. Schaap & P.P.L. Berkers (2012). Tough Girls, Tough Luck: Gender Inequality in the Online and offline Metal Scene. European Sociological Association Conference: Culture, Communication and Creativity: Berlijn (2012, september 7 - 2012, september 7).

• Television or radio appearance (1)

  • J.C.F. Schaap (Interview) (2018, mei 25). Faces of Science - Julian Schaap. [radio-uitzending]. In Focus. Hilversum: NPO Radio 1. https://www.nporadio1.nl/podcasts/dekennisvannu/108176-1-faces-of-science-julian-schaap

• Internet article (6)

  • J.C.F. Schaap (2016). Vijf maanden in hyperreëel Amerika. (blog). Faces of Science: Kennislink. (available: 23 Sep 2016).
  • J.C.F. Schaap (2016). Waar is de Rotterdamse lelijkheid gebleven? (blog). Vers Beton. (available: 15 Feb 2016).
  • J.C.F. Schaap (2016). Rockgitarist? Waarschijnlijk een witte man. (blog). Faces of Science: Kennislink. (available: 17 May 2016).
  • J. Peters & J.C.F. Schaap (2016). ‘Shit happens’: How religious nones from Rotterdam deal with the pointlessness of existence. (blog). Erasmus Magazine. (available: 17 May 2016).
  • J. Peters & J.C.F. Schaap (2016). Shit happens: Rotterdamse nietsisten over de eindigheid en nutteloosheid van het bestaan. (blog). Vers Beton. (available: 4 May 2016).
  • J.C.F. Schaap (2015). De sleutel van (kansrijk) Rotterdam? (blog). Vers Beton: Vers Beton. (available: 7 Dec 2015).

• Doctoral thesis (1)

  • J.C.F. Schaap (2019, oktober 11). Elvis Has Finally Left the Building? : Boundary work, whiteness and the reception of rock music in comparative perspective. EUR Prom./coprom.: prof.dr. C.J.M. van Eijck & dr. P.P.L. Berkers.

Teaching (4)

Editorial positions (1)

Present position