Erasmus University Rotterdam

dr. (Amanda) AMC Brandellero

Assistant Professor Erasmus School of History, Culture and Communication Department of Arts & Culture Studies
Location
Burg. Oudlaan 50, Rotterdam
Room
M7-19
Telephone
01040882481
Email
brandellero@eshcc.eur.nl

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Profile

      • A.M.C. Brandellero, M.N.M. Verboord & M.S.S.E. Janssen (2018). ‘Do you remember rock ‘n’ roll radio?’ How audiences talk about music-related personal memories, preferences, and localities. In Sarah Baker, Catherine Strong, Lauren Istvandity & Zelmarie Cantillon (Ed.), Routledge Companion to Popular Music History and Heritage (pp. 217-228). Abingdon/New York: Routledge
      • A.M.C. Brandellero & R.C. Kloosterman (2016). More than just bytes?: Responses to digitisation in the Paris cluster of world music production. In B. Hracs, M. Seman & T. Virani (Eds.), The Production and Consumption of Music in the Digital Age (pp. 177-189). London: Routledge
      • A.M.C. Brandellero, A.J.C. van der Hoeven & M.S.S.E. Janssen (2015). Valuing Popular Music Heritage: Exploring Amateur and Fan-Based Preservation Practices in Museums and Archives in the Netherlands. In Preserving Popular Music Heritage: Do-it-Yourself, Do-it-Together (Routledge Research in Music) (pp. 31-45). London: Routledge
      • M.N.M. Verboord & A.M.C. Brandellero (2015). National popular culture in an interconnected world: The case of pop charts. In W. de Been, P. Arora & M. Hildebrandt (Eds.), Crossroads in New media, Identity & Law: The Shape of Diversity to Come? (pp. 218-236) Basingstoke, UK: Palgrave Macmillan
      • A.M.C. Brandellero (2015). The emergence of a market for art in Brazil. In O. Velthuis & S. Baia Curioni (Eds.), Cosmopolitan canvases: the globalization of markets for contemporary art (pp. 215-237). Oxford: Oxford University Press
      • A.M.C. Brandellero (2010). Diversity in the cultural industries: a migrant cultural entrepreneur perspective. In Ü. Zumray Kutlu & C. Smithuijsen (Eds.), Cultural Policy and Management Yearbook 2010. Istanbul: Bilgi University Press

      • A.M.C. Brandellero (2011). Creativity, Innovation and the Cultural Economy [Bespreking van het boek Creativity, Innovation and the Cultural Economy]. Cultural Trends (online), 20(2), 209-211.

      • A.M.C. Brandellero (2008). Les immigrés transnationaux dans les industries culturelles: des vecteurs d'innovation? In Halbert, L., Brandellero, A., Calenge, P., Waelisch, U. Paris, métropole créative, milieux d'innovation et industries culturelles en Île-de-France. (Extern rapport). Paris: Meedad-Puca, Ministère de la Culture
      • L. Halbert, A.M.C. Brandellero, P. Calenge & U. Waelisch (2008). Paris, métropole créative. (Extern rapport). Paris: Meedad-Puca. Ministère de la Culture, France

        • A.M.C. Brandellero (2013, januari 30). Popular music heritage, Cultural memory, and Cultural identity. Rotterdam, Invited panel speaker.
        • A.M.C. Brandellero (2014, mei 30). Pop music from vinyl to digital. Groningen., Invited speaker at the International Popular Music Association Music Matters Day.
        • A.M.C. Brandellero (2018, februari 15). Telling sounds: staging the musical heritage of Europe, through continuity and change. Utrecht, UNESCO/Dutch Centre for Intangible Heritage International Conference Urban Cultures, Superdiversity and Intangible Heritage.
        • A.M.C. Brandellero (2018, september 18). Creative cities and globalisation. Lille, Invited lecture. University of Lille 3, France.
        • A.M.C. Brandellero (2017, december 12). Musiques migrantes. Musique de mondes parallèles? Paris, France, Invited lecture at Ecole des Hautes Etudes en Sciences Sociales.
        • A.M.C. Brandellero & R.C. Kloosterman (2017, juni 28). An exploration of innovative relational spaces in the formation of music scenes. Loughborough University, Place of Music conference.
        • A.M.C. Brandellero (2016, januari 29). Globalising practice in contemporary art. International status, networks and strategies of Brazilian art gallerists. Amsterdam, International Conference Art market in a Global perspective.
        • A.M.C. Brandellero & R.C. Kloosterman (2016, mei 6). Commodifying immigrant music in the Paris world music scene. City University, New York, USA., Conference Musics, Immigrants and the City.
        • A.M.C. Brandellero (2016, februari 26). Methodological approaches from the field of sociology to the study of contemporary art markets. Washington, DC, USA, Invited speaker at expert workshop 'The Western Art World between 1930-1950. Methodological approaches aiming at transdisciplinary research.

        • A.M.C. Brandellero (2015, november 12). The internationalization of the art market: the case of Brazil. Spui 25, Amsterdam., Invited speaker at panel on the intenationalization of the art market.
        • A.M.C. Brandellero (2014, april 15). Exploring the meanings attached to Brazilian art in Western museums. Stedelijk Museum Amsterdam, Collecting geographies: National narrative conference.
        • A.M.C. Brandellero (2010, december 10). The world music cluster Paris Mix. Koln, Germany, Invited speaker at the International Conference on the Future of Global Music in North Rhine-Westphalia.
        • A.M.C. Brandellero (2008, februari 16). World music in Paris. Paris, France, Métropoles créatives symposium.

        • A.M.C. BrandelleroCrossing cultural borders? Migrants and ethnic minorities in the cultural industries. University of Kent, UK, Creative Regions Summer School, regional studies association.

        • A.M.C. Brandellero (2015, november 10). Music scenes and cities in the Netherlands. Rotterdam, Music Talks programme of the Erasmus School of History, Culture and Communication.

        • M.S.S.E. Janssen, A.M.C. Brandellero & A.J.C. van der Hoeven (2011). Popular music, cultural memory and cultural identity (POPID). International Association for the Study of Popular music (IASPM) Benelux conference: Haarlem, Nederland (2011, april 15 - 2011, april 15).
        • A.M.C. Brandellero & M.S.S.E. Janssen (2011). The social production of popular music histories. European Sociological Association (ESA) conference: Geneva (2011, september 6 - 2011, september 10).
        • A.M.C. Brandellero (2011). Telling sounds: Popular music in museums. European Sociological Association (ESA) conference: Geneva, Zwitserland (2011, september 6 - 2011, september 10).
        • M.S.S.E. Janssen, A.M.C. Brandellero & A.J.C. van der Hoeven (2011). Popular music heritage, cultural memory and cultural identity. European Sociological Association (ESA) conference: Geneva (2011, september 7 - 2011, september 10).
        • A.M.C. Brandellero & K. Pfeffer (2010). Multiple and shifting geographies of world music production and consumption. Association of Cultural Economics International conference: Copenhagen (2010, juni 10 - 2010, juni 12).
        • A.M.C. Brandellero & R.C. Kloosterman (2010). Scaling the commodification gradient? Commodifying diversity in the cultural industries. Sixth International Conference on Cultural Policy Research: Jyväskylä, Finland (2010, augustus 24 - 2010, augustus 27).

        • A.M.C. Brandellero (2019). Popular music and cultural heritage. Session convenor. Association of Critical Heritage Studies: Gothenburg, Sweden (2012, juni 5 - 2012, juni 8).
        • A.M.C. Brandellero & M.N.M. Verboord (2018). Cities in popular music production: Genre specialization and chart success, 1960-2015. European Sociological Association Mid-Term Conference Creative Locations. Arts, Culture and the City: Valletta, Malta (2018, september 5).
        • A.M.C. Brandellero (2018). Placing art in the global art market: Status, practices and networks of Brazilian art galleries in a transnational cultural field. European Sociological Association Mid-Term Conference Creative Locations. Arts, Culture and the City: Valletta, Malta (2018, september 5).
        • A.M.C. Brandellero & M.N.M. Verboord (2015). Pop careers: Changing locational dynamics of charting musicians, from the vinyl age to the digital age. 110th Annual Meeting of the American Sociological Association: Chicago, IL (2015, augustus 25).
        • A.M.C. Brandellero & M.N.M. Verboord (2015). Pop careers. Popfestival Eurosonic Noorderslag: The European Music Platform: Groningen (2015, januari 17).
        • A.M.C. Brandellero (2014). The emergence of a market for art in Brazil. Annual Meeting of the American Sociological Association: San Francisco (2014, augustus 17).
        • A.M.C. Brandellero & M.N.M. Verboord (2014). Pop careers: Changing locational dynamics of charting musicians, from the vinyl age to the digital age. IASPM Benelux conference A Long Way To The Top, The Production and Reception of Music in a Globalized World: Rotterdam (2014, november 6).
        • M.N.M. Verboord & A.M.C. Brandellero (2014). Globalization and Popular Music. Explaining Global Success of Pop Music Acts in Nine Countries, 1960-2010. Annual Meeting American Sociological Association 2014: San Francisco (2014, augustus 17).
        • A.M.C. Brandellero & M.N.M. Verboord (2014). Pop careers: Changing locational dynamics of charting musicians, from the vinyl age to the digital age. RGS-IBG Annual Conference 2014 “Geographies of co-production”: London (2014, augustus 28).
        • M.N.M. Verboord & A.M.C. Brandellero (2014). Globalization and Popular Music. Explaining Global Success of Pop Music Acts in Nine Countries, 1960-2010. Dag van de Sociologie 2014: Antwerpen (2014, mei 28).
        • A.J.C. van der Hoeven & A.M.C. Brandellero (2013). The localized popular music heritage of the Netherlands in museums and archives. Paper presented at the annual conference of the International Communication Association: Challenging Communication Research: London (2013, juni 17 - 2013, juni 21).
        • M.N.M. Verboord & A.M.C. Brandellero (2013). Trends in globalization in pop music charts. A multilevel analysis of nine countries, 1960-2010. POPID Conference Popular Music Heritage, Cultural Memory and Cultural Identity: Rotterdam (2013, februari 1).
        • A.M.C. Brandellero & K. Pfeffer (2013). Making a scene: exploring locational dynamics in the making of Dutch local music scenes, 1965-2010. POPID Conference Popular music heritage, cultural memory and cultural identity: Rotterdam (2013, februari 1).
        • M.N.M. Verboord & A.M.C. Brandellero (2013). Trends in globalization in pop music charts. A multilevel analysis of nine countries, 1960-2010. Conference Shape of Diversity to Come: Rotterdam (2013, januari 25).
        • M.N.M. Verboord & A.M.C. Brandellero (2013). Trends in globalization in pop music charts. A multilevel analysis of nine countries, 1960-2010. Etmaal van de Communicatiewetenschap: Rotterdam (2013, februari 7 - 2013, februari 8).
        • M.N.M. Verboord & A.M.C. Brandellero (2013). 'Trends in globalization in pop music charts. A multilevel analysis of nine countries, 1960-2010. Annual Meeting of the American Sociological Association: New York (2013, augustus 11).
        • A.J.C. van der Hoeven & A.M.C. Brandellero (2012). The localized popular music heritage of the Netherlands in museums and archives. Meeting ESA Sociology of Culture: Culture, Communication and Creativity: Berlin (2012, september 5 - 2012, september 7).
        • A.M.C. Brandellero & M.S.S.E. Janssen (2012). Comparative analysis of popular music as cultural heritage: towards a typology. The Association of Critical Heritage Studies - Inaugural Conference: Gothenburg, Sweden (2012, juni 5 - 2012, juni 8).
        • M.N.M. Verboord & A.M.C. Brandellero (2012). Explaining Cultural Globalization in Pop Music Charts. An Analysis of 9 Countries between 1960-2010. Meeting ESA Sociology of Culture: Culture, Communication and Creativity: Berlin (2012, september 5 - 2012, september 7).
        • A.J.C. van der Hoeven & A.M.C. Brandellero (2012). Het lokale Nederlandse popmuziek erfgoed in musea en archieven. Annual Meeting of the Dutch and Flemish Sociologists (Dag van de Sociologie): Utrecht, the Netherlands (2012, mei 25).

      • A.M.C. Brandellero (2016). Brazilian art - between the local and the global. In Brazil, Beleza?! Exhibition Catalogue. Schevenigen: Museum Beelden aan Zee
      • A.M.C. Brandellero (2016). Positioning Brazilian contemporary art in the global art market. In Soft Power Arte Brasil Exhibition Catalogue. Kunsthal KAdE Amersfoort

      • O. Velthuis & A.M.C. Brandellero (Eds.). (2018-2018) Poetics. Journal of Empirical Research on Culture, the Media and the Arts, 71.
      • A.M.C. Brandellero, M.S.S.E. Janssen, S. Cohen & L. Roberts (Eds.). (2014-2014) International Journal of Heritage Studies, 20(3).

      • R.C. Kloosterman, A.M.C. Brandellero, C. Rasterhoff & R. KoetsenruijterThe Urban Commons of Culture. . Retrieved Jan 24, 2019, from http://www.culturecommons.org/

      • A.M.C. Brandellero (Music, migration and the city) (2016, apr 29). Radio MNE. [radio-uitzending]. In Radio Show Fabriquer la diversité musicale à Mulhouse. Mulhouse, France.

  • Arts, Culture, and Media

    Title
    Arts, Culture, and Media
    Year
    2019
    Year level
    (BA-1) (BA-1)

    Creative Cities

    Title
    Creative Cities
    Year
    2019
    Year level
    (MA) (MA-1)

    Master Thesis ACS

    Title
    Master Thesis ACS
    Year
    2019
    Year level
    (MA)

    Key Concepts in the Social Sciences

    Title
    Key Concepts in the Social Sciences
    Year
    2019
    Year level
    (BA-2) (Pre-master) (Pre-master) (Pre-master) (Pre-master)

  • Assistant Professor

    University
    Erasmus University Rotterdam
    School
    Erasmus School of History, Culture and Communication
    Department
    Department of Arts & Culture Studies
    Country
    The Netherlands
    Telephone
    01040882481

Address

Visiting address

Burg. Oudlaan 50 3062 PA Rotterdam

Postal address

Postbus 1738 3000 DR Rotterdam

News regarding dr. (Amanda) AMC Brandellero

  • NWO-Vidi voor Dr. Amanda Brandellero

    Algemeen

    De NWO-vidi’s van 2018 zijn uitgereikt aan zes getalenteerde onderzoekers van de Erasmus Universiteit. Een van de leauraten is Amanda Brandellero.