dr. (Amanda) A.M.C. Brandellero

All publications (72)

• Article (14)

  • Scholarly Publication (12)

    • M.N.M. Verboord & A.M.C. Brandellero (2018). The Globalization of Popular Music, 1960-2010: A Multi-level Analysis of Music Flows. Communication Research (print), 45 (4), 603-627. doi: 10.1177/0093650215623834
    • O. Velthuis & A.M.C. Brandellero (2018). Introduction to the Special Issue on Global Art Markets. Poetics. Journal of Empirical Research on Culture, the Media and the Arts(online), 71, 1-6. doi: 10.1016/j.poetic.2018.11.007
    • A.M.C. Brandellero & O. Velthuis (2018). Reviewing art from the periphery. A comparative analysis of reviews of Brazilian art in the press. Poetics. Journal of Empirical Research on Culture, the Media and the Arts(online), 71, 55-70. doi: 10.1016/j.poetic.2018.10.006
    • R.C. Kloosterman & A.M.C. Brandellero (2016). All these places have their moments: Exploring the Micro-Geography of Music Scenes: The Indica Gallery and the Chelsea Hotel. Media/Culture a Journal of media and culture, 19 (3), 1-4.
    • A.J.C. van der Hoeven & A.M.C. Brandellero (2015). Places of popular music heritage: The local framing of a global cultural form in Dutch museums and archives. Poetics. Journal of Empirical Research on Culture, the Media and the Arts(online), 51 (August), 37-53. doi: 10.1016/j.poetic.2015.05.001
    • A.M.C. Brandellero & K. Pfeffer (2015). Making a scene: exploring the dimensions of place through Dutch popular music, 1960–2010. Environment and Planning A: International Journal of Urban and Regional Research, 47 (7), 1574-1591.
    • A.M.C. Brandellero & M.S.S.E. Janssen (2014). Popular music as cultural heritage: scoping out the field of practice. International Journal of Heritage Studies, 20 (3), 223-240. doi: 10.1080/13527258.2013.779294
    • A.M.C. Brandellero, M.S.S.E. Janssen, S. Cohen & L. Roberts (2014). Popular music heritage, cultural memory and cultural identity. International Journal of Heritage Studies, 20 (3), 219-223. doi: 10.1080/13527258.2013.821624
    • M.N.M. Verboord & A.M.C. Brandellero (2013). Globalisering in popmuziekhitlijsten in negen landen, 1960-2010. Tijdschrift voor Communicatiewetenschap (print), 41 (4), 364-386.
    • A.M.C. Brandellero & K. Pfeffer (2011). Multiple and shifting geographies of world music production. Area (Institute of British Geographers), 43 (4), 495-505. doi: 10.1111/j.1475-4762.2011.01057
    • A.M.C. Brandellero & R.C. Kloosterman (2010). Keeping the market at bay. Exploring the loci of innovation in the cultural industries. Creative Industries Journal, 3 (2), 61-78. doi: 1386/cij.3.1.61_1
    • R.C. Kloosterman & A.M.C. Brandellero (2007). Creatieve migranten? Een conceptuele analyse van de rol van migranten in due cultural industries. Migrantenstudies, 23, 115-130.

  • Professional Publication (2)

    • A.M.C. Brandellero (2013). Valuing and preserving popular music heritage in the Netherlands. Boekman. Tijdschrift voor Kunst, Cultuur en Beleid, 96.
    • A.M.C. Brandellero (2012). Diversity in the cultural industries. Boekman. Tijdschrift voor Kunst, Cultuur en Beleid.

• Part of book - Chapter (6)

  • A.M.C. Brandellero, M.N.M. Verboord & M.S.S.E. Janssen (2018). ‘Do you remember rock ‘n’ roll radio?’ How audiences talk about music-related personal memories, preferences, and localities. In Sarah Baker, Catherine Strong, Lauren Istvandity & Zelmarie Cantillon (Ed.), Routledge Companion to Popular Music History and Heritage (pp. 217-228). Abingdon/New York: Routledge
  • A.M.C. Brandellero & R.C. Kloosterman (2016). More than just bytes?: Responses to digitisation in the Paris cluster of world music production. In B. Hracs, M. Seman & T. Virani (Eds.), The Production and Consumption of Music in the Digital Age (pp. 177-189). London: Routledge
  • A.M.C. Brandellero (2015). The emergence of a market for art in Brazil. In O. Velthuis & S. Baia Curioni (Eds.), Cosmopolitan canvases: the globalization of markets for contemporary art (pp. 215-237). Oxford: Oxford University Press
  • A.M.C. Brandellero, A.J.C. van der Hoeven & M.S.S.E. Janssen (2015). Valuing Popular Music Heritage: Exploring Amateur and Fan-Based Preservation Practices in Museums and Archives in the Netherlands. In Preserving Popular Music Heritage: Do-it-Yourself, Do-it-Together (Routledge Research in Music) (pp. 31-45). London: Routledge
  • M.N.M. Verboord & A.M.C. Brandellero (2015). National popular culture in an interconnected world: The case of pop charts. In W. de Been, P. Arora & M. Hildebrandt (Eds.), Crossroads in New media, Identity & Law: The Shape of Diversity to Come? (pp. 218-236) Basingstoke, UK: Palgrave Macmillan
  • A.M.C. Brandellero (2010). Diversity in the cultural industries: a migrant cultural entrepreneur perspective. In Ü. Zumray Kutlu & C. Smithuijsen (Eds.), Cultural Policy and Management Yearbook 2010. Istanbul: Bilgi University Press

• Book review (1)

  • A.M.C. Brandellero (2011). Creativity, Innovation and the Cultural Economy [Bespreking van het boek Creativity, Innovation and the Cultural Economy]. Cultural Trends (online), 20(2), 209-211.

• Report (2)

  • L. Halbert, A.M.C. Brandellero, P. Calenge & U. Waelisch (2008). Paris, métropole créative. (Extern rapport). Paris: Meedad-Puca. Ministère de la Culture, France
  • A.M.C. Brandellero (2008). Les immigrés transnationaux dans les industries culturelles: des vecteurs d'innovation? In Halbert, L., Brandellero, A., Calenge, P., Waelisch, U. Paris, métropole créative, milieux d'innovation et industries culturelles en Île-de-France. (Extern rapport). Paris: Meedad-Puca, Ministère de la Culture

• Lecture (15)

  • Scholarly Publication (9)

    • A.M.C. Brandellero (2013, januari 30). Popular music heritage, Cultural memory, and Cultural identity. Rotterdam, Invited panel speaker.
    • A.M.C. Brandellero (2014, mei 30). Pop music from vinyl to digital. Groningen., Invited speaker at the International Popular Music Association Music Matters Day.
    • A.M.C. Brandellero (2018, september 18). Creative cities and globalisation. Lille, Invited lecture. University of Lille 3, France.
    • A.M.C. Brandellero (2018, februari 15). Telling sounds: staging the musical heritage of Europe, through continuity and change. Utrecht, UNESCO/Dutch Centre for Intangible Heritage International Conference Urban Cultures, Superdiversity and Intangible Heritage.
    • A.M.C. Brandellero (2017, december 12). Musiques migrantes. Musique de mondes parallèles? Paris, France, Invited lecture at Ecole des Hautes Etudes en Sciences Sociales.
    • A.M.C. Brandellero & R.C. Kloosterman (2017, juni 28). An exploration of innovative relational spaces in the formation of music scenes. Loughborough University, Place of Music conference.
    • A.M.C. Brandellero (2016, januari 29). Globalising practice in contemporary art. International status, networks and strategies of Brazilian art gallerists. Amsterdam, International Conference Art market in a Global perspective.
    • A.M.C. Brandellero & R.C. Kloosterman (2016, mei 6). Commodifying immigrant music in the Paris world music scene. City University, New York, USA., Conference Musics, Immigrants and the City.
    • A.M.C. Brandellero (2016, februari 26). Methodological approaches from the field of sociology to the study of contemporary art markets. Washington, DC, USA, Invited speaker at expert workshop 'The Western Art World between 1930-1950. Methodological approaches aiming at transdisciplinary research.

  • Professional Publication (4)

    • A.M.C. Brandellero (2015, november 12). The internationalization of the art market: the case of Brazil. Spui 25, Amsterdam., Invited speaker at panel on the intenationalization of the art market.
    • A.M.C. Brandellero (2014, april 15). Exploring the meanings attached to Brazilian art in Western museums. Stedelijk Museum Amsterdam, Collecting geographies: National narrative conference.
    • A.M.C. Brandellero (2010, december 10). The world music cluster Paris Mix. Koln, Germany, Invited speaker at the International Conference on the Future of Global Music in North Rhine-Westphalia.
    • A.M.C. Brandellero (2008, februari 16). World music in Paris. Paris, France, Métropoles créatives symposium.

  • Other Publication (1)

    • A.M.C. BrandelleroCrossing cultural borders? Migrants and ethnic minorities in the cultural industries. University of Kent, UK, Creative Regions Summer School, regional studies association.

  • Semiscientific Publication (1)

    • A.M.C. Brandellero (2015, november 10). Music scenes and cities in the Netherlands. Rotterdam, Music Talks programme of the Erasmus School of History, Culture and Communication.

• Other output (26)

  • Scholarly Publication (6)

    • M.S.S.E. Janssen, A.M.C. Brandellero & A.J.C. van der Hoeven (2011). Popular music, cultural memory and cultural identity (POPID). International Association for the Study of Popular music (IASPM) Benelux conference: Haarlem, Nederland (2011, april 15 - 2011, april 15).
    • A.M.C. Brandellero & M.S.S.E. Janssen (2011). The social production of popular music histories. European Sociological Association (ESA) conference: Geneva (2011, september 6 - 2011, september 10).
    • A.M.C. Brandellero (2011). Telling sounds: Popular music in museums. European Sociological Association (ESA) conference: Geneva, Zwitserland (2011, september 6 - 2011, september 10).
    • M.S.S.E. Janssen, A.M.C. Brandellero & A.J.C. van der Hoeven (2011). Popular music heritage, cultural memory and cultural identity. European Sociological Association (ESA) conference: Geneva (2011, september 7 - 2011, september 10).
    • A.M.C. Brandellero & R.C. Kloosterman (2010). Scaling the commodification gradient? Commodifying diversity in the cultural industries. Sixth International Conference on Cultural Policy Research: Jyväskylä, Finland (2010, augustus 24 - 2010, augustus 27).
    • A.M.C. Brandellero & K. Pfeffer (2010). Multiple and shifting geographies of world music production and consumption. Association of Cultural Economics International conference: Copenhagen (2010, juni 10 - 2010, juni 12).

  • Other Publication (20)

    • A.M.C. Brandellero (2019). Popular music and cultural heritage. Session convenor. Association of Critical Heritage Studies: Gothenburg, Sweden (2012, juni 5 - 2012, juni 8).
    • A.M.C. Brandellero & M.N.M. Verboord (2018). Cities in popular music production: Genre specialization and chart success, 1960-2015. European Sociological Association Mid-Term Conference Creative Locations. Arts, Culture and the City: Valletta, Malta (2018, september 5).
    • A.M.C. Brandellero (2018). Placing art in the global art market: Status, practices and networks of Brazilian art galleries in a transnational cultural field. European Sociological Association Mid-Term Conference Creative Locations. Arts, Culture and the City: Valletta, Malta (2018, september 5).
    • A.M.C. Brandellero & M.N.M. Verboord (2015). Pop careers: Changing locational dynamics of charting musicians, from the vinyl age to the digital age. 110th Annual Meeting of the American Sociological Association: Chicago, IL (2015, augustus 25).
    • A.M.C. Brandellero & M.N.M. Verboord (2015). Pop careers. Popfestival Eurosonic Noorderslag: The European Music Platform: Groningen (2015, januari 17).
    • M.N.M. Verboord & A.M.C. Brandellero (2014). Globalization and Popular Music. Explaining Global Success of Pop Music Acts in Nine Countries, 1960-2010. Dag van de Sociologie 2014: Antwerpen (2014, mei 28).
    • A.M.C. Brandellero & M.N.M. Verboord (2014). Pop careers: Changing locational dynamics of charting musicians, from the vinyl age to the digital age. RGS-IBG Annual Conference 2014 “Geographies of co-production”: London (2014, augustus 28).
    • A.M.C. Brandellero (2014). The emergence of a market for art in Brazil. Annual Meeting of the American Sociological Association: San Francisco (2014, augustus 17).
    • M.N.M. Verboord & A.M.C. Brandellero (2014). Globalization and Popular Music. Explaining Global Success of Pop Music Acts in Nine Countries, 1960-2010. Annual Meeting American Sociological Association 2014: San Francisco (2014, augustus 17).
    • A.M.C. Brandellero & M.N.M. Verboord (2014). Pop careers: Changing locational dynamics of charting musicians, from the vinyl age to the digital age. IASPM Benelux conference A Long Way To The Top, The Production and Reception of Music in a Globalized World: Rotterdam (2014, november 6).
    • M.N.M. Verboord & A.M.C. Brandellero (2013). Trends in globalization in pop music charts. A multilevel analysis of nine countries, 1960-2010. POPID Conference Popular Music Heritage, Cultural Memory and Cultural Identity: Rotterdam (2013, februari 1).
    • M.N.M. Verboord & A.M.C. Brandellero (2013). Trends in globalization in pop music charts. A multilevel analysis of nine countries, 1960-2010. Etmaal van de Communicatiewetenschap: Rotterdam (2013, februari 7 - 2013, februari 8).
    • A.M.C. Brandellero & K. Pfeffer (2013). Making a scene: exploring locational dynamics in the making of Dutch local music scenes, 1965-2010. POPID Conference Popular music heritage, cultural memory and cultural identity: Rotterdam (2013, februari 1).
    • M.N.M. Verboord & A.M.C. Brandellero (2013). Trends in globalization in pop music charts. A multilevel analysis of nine countries, 1960-2010. Conference Shape of Diversity to Come: Rotterdam (2013, januari 25).
    • M.N.M. Verboord & A.M.C. Brandellero (2013). 'Trends in globalization in pop music charts. A multilevel analysis of nine countries, 1960-2010. Annual Meeting of the American Sociological Association: New York (2013, augustus 11).
    • A.J.C. van der Hoeven & A.M.C. Brandellero (2013). The localized popular music heritage of the Netherlands in museums and archives. Paper presented at the annual conference of the International Communication Association: Challenging Communication Research: London (2013, juni 17 - 2013, juni 21).
    • A.J.C. van der Hoeven & A.M.C. Brandellero (2012). Het lokale Nederlandse popmuziek erfgoed in musea en archieven. Annual Meeting of the Dutch and Flemish Sociologists (Dag van de Sociologie): Utrecht, the Netherlands (2012, mei 25).
    • M.N.M. Verboord & A.M.C. Brandellero (2012). Explaining Cultural Globalization in Pop Music Charts. An Analysis of 9 Countries between 1960-2010. Meeting ESA Sociology of Culture: Culture, Communication and Creativity: Berlin (2012, september 5 - 2012, september 7).
    • A.J.C. van der Hoeven & A.M.C. Brandellero (2012). The localized popular music heritage of the Netherlands in museums and archives. Meeting ESA Sociology of Culture: Culture, Communication and Creativity: Berlin (2012, september 5 - 2012, september 7).
    • A.M.C. Brandellero & M.S.S.E. Janssen (2012). Comparative analysis of popular music as cultural heritage: towards a typology. The Association of Critical Heritage Studies - Inaugural Conference: Gothenburg, Sweden (2012, juni 5 - 2012, juni 8).

• Article in volume (2)

  • A.M.C. Brandellero (2016). Brazilian art - between the local and the global. In Brazil, Beleza?! Exhibition Catalogue. Schevenigen: Museum Beelden aan Zee
  • A.M.C. Brandellero (2016). Positioning Brazilian contemporary art in the global art market. In Soft Power Arte Brasil Exhibition Catalogue. Kunsthal KAdE Amersfoort

• Journal editorship / Referee (2)

  • O. Velthuis & A.M.C. Brandellero (Eds.). (2018) Poetics. Journal of Empirical Research on Culture, the Media and the Arts, 71.
  • A.M.C. Brandellero, M.S.S.E. Janssen, S. Cohen & L. Roberts (Eds.). (2014) International Journal of Heritage Studies, 20(3).

• Website / portal (1)

  • R.C. Kloosterman, A.M.C. Brandellero, C. Rasterhoff & R. KoetsenruijterThe Urban Commons of Culture. . Retrieved Jan 24, 2019, from http://www.culturecommons.org/

• Television or radio appearance (1)

  • A.M.C. Brandellero (Music, migration and the city) (2016, apr 29). Radio MNE. [radio-uitzending]. In Radio Show Fabriquer la diversité musicale à Mulhouse. Mulhouse, France.

• Internet article (2)

  • A.M.C. Brandellero (2018). Living intangible cultural-heritage: contradictio in terminis? (blog).
  • A.M.C. Brandellero (2018). Travelling dilemmas. (blog).

Teaching (6)

Present position