dr. (Laura) LE Braden

All publications (51)

• Article (6)

  • L.E. Braden & T.P. Teekens (2019). Reputation, Status Networks, and the Art Market. Arts, 8 (3):81. doi: 10.3390/arts8030081
  • L.E. Braden (2019). A Quantitative Sociological Approach: Select Artist’s Representation in Three Art World Institutions from 1926 to 1970. Journal of Art Historiography.
  • L.E. Braden (2018). Networks Created Within Exhibition: The Curators’ Effect on Historical Recognition. American Behavioral Scientist (print). doi: 10. 0002764218800145 [go to publisher's site]
  • L.E. Braden & N. Oosterman (2018). World systems and the art world: A case study of Tibetan art in the Netherlands in Transcultural Perspectives. Cultural Trends.
  • L.E. Braden (2016). Collectors and Collections: Critical recognition of the world’s top art collectors. Social Forces (print), 94 (4), 1483-1507. doi: 10.1093/sf/sov116
  • L.E. Braden (2009). From the Armory to Academia: Careers and Reputations of Early Modern Artists in the United States. Poetics. Journal of Empirical Research on Culture, the Media and the Arts. doi: 10.1016/j.poetic.2009.09.004 [go to publisher's site]

• Part of book - Chapter (3)

  • L.E. Braden (2017). “Premiers canons: comment l’avènement de l’histoire de l’art a structuré la compréhension de l’art moderne aux Etats-Unis.” [“Priming the canon: How the rise of art history structured US understandings of modern art.”]. In Pierig Humeau, Laurence Ellena & Fanny Renard (Eds.), Jeux et articulations des formes de consécration (pp. 163-178). Limoges, France: PULIM Presses Universitaires de Limoges
  • L.E. Braden (2016). The Armory Show of 1913. In Stephen Ross (Ed.), Routledge Encyclopedia of Modernism. UK: Routledge [go to publisher's site] doi: 10.4324/9781135000356-REM981-1
  • L.E. Braden & T.J. Dowd (2014). “Intermédiaires et consecration retrospective" Modern Composers and Visual Artists in the US of the 20th and 21st Centuries: The Impact of Intermediary Organizations on Consecration. In L. Jeanpierre & O. Roueff (Eds.), La culture et ses intermédiaires: Dans les arts, le numérique et les industries créatives (pp. 37-48). France: Archives contemporaines

• Lecture (15)

  • Scholarly Publication (12)

    • T.P. Teekens & L.E. Braden (2019, september 13). Reputation, Status Networks, and the Art Market. Vrije Universiteit Brussel, Brussels, Belgium, Cultural Sociology Lowlands.
    • L.E. Braden (2018, april 26). Modern art in the USA: the MoMA and academia during the early 20th century. Uppsala University, Invited Keynote Speaker.
    • L.E. Braden (2018, september 5). Symbolic Networks, Reputations, and History. Malta, 10th Midterm Conference of the European Sociological Association Research Networks Sociology of the Arts (RN2) & Sociology of Culture (RN7).
    • L.E. Braden (2018, november 5). Networks within Exhibition: Using Network Analysis for Art History. Södertörn University, Invited Keynote Speaker and Workshop.
    • L.E. Braden (2018, april 27). Quantitative historical analysis in art research. Södertörn University, Invited Keynote Speaker.
    • L.E. Braden & T. Teekens (2017, augustus 30). How museum exhibitions signal artists for commemoration. Athens, Greece, 13th Meeting of the European Sociological Association Conference.
    • L.E. Braden & J. Michael (2017, januari 20). Capitalizing on Morals: Connecting Cultural Capital and Moral Judgments. Erasmus University Rotterdam, Current Contestations of Cultural Capital Symposium.
    • T.P. Teekens & L.E. Braden (2017, juni 20). Symbolic Networks: How museum exhibitions signal artists for commemoration. University of Amsterdam, Amsterdam, Netherlands, Cultural Sociology Lowlands.
    • L.E. Braden (2015, januari 15). Careers and Occupations. EUR, Key Concepts in the Social Sciences.
    • L.E. Braden (2014, augustus 8). Cultural policy in Europe and the USA. EUR, Invited lecture for College of Foreign Languages and Cultures.
    • L.E. Braden (2014, januari 13). Careers and Occupations. EUR, Key Concepts in the Social Sciences.
    • L.E. Braden (2012, augustus 21). Curatorial Connections: The Importance of Exhibition Networks for. Colorado Convention Center and Hyatt Regency, Denver, Colorado, USA, Section on Sociology of Culture, 107th American Sociological Association Annual Meeting.

  • Professional Publication (1)

    • L.E. Braden (2013, januari 15). Careers and Occupations. EUR, Key Concepts in the Social Sciences.

  • Semiscientific Publication (1)

    • L.E. Braden (2018, september 28). Networking in art: What (or Who) to look for in art exhibitions. Hotel nhow Rotterdam, Science Hotel, Erasmus University Rotterdam.

  • Other Publication (1)

    • L.E. Braden (2009, oktober 30). Predictors of Success in the United States’ Early Modern Art World. Atlanta, USA, Research Colloquia on International Modernism between the Wars, Fox Center for Humanistic Inquiry.

• Report (3)

  • L.E. Braden (2006). City of Atlanta Community Cultural Plan. (Extern rapport). Atlanta, USA: City of Atlanta, Office of Cultural Affairs
  • L.E. Braden (2005). The Cultural Collaborative: A Community Plan for San Antonio’s Creative Economy. (Extern rapport). San Antonio, USA: City of San Antonio, Office of Cultural Affairs
  • L.E. Braden (2001). Anti-terrorism Plan for Bexar County – San Antonio. (Extern rapport). San Antonio, USA: Bexar County District Attorney’s Office and City of San Antonio joint publication

• Contribution weekly / daily journal (5)

  • L.E. Braden (2005, februari 1). Hunter and Whitehead: Joan Grona Art Gallery. Voices of Art Magazine 12(4), pp. 12-15.
  • L.E. Braden (2004, juni 1). Chronicles: Dr. Ricardo Romo. Voices of Art Magazine 12(2), pp. 14-15.
  • L.E. Braden (2004, september 1). Style & Substance: Finesilver’s ARTitectural Exhibition. Voices of Art Magazine 12 (1), pp. 34-35.
  • L.E. Braden (2004, oktober 1). Colored Slates of Clay @ FineSilver. Voices of Art Magazine 11 (3), pp. 5-6.
  • L.E. Braden (2004, november 1). Intent vs. Craft: Art Pace. Voices of Art 12(1), pp. 10-11.

• Other output (11)

  • J. Michael & L.E. Braden (2018). Capitalizing on Morals? Connecting Cultural Capital and Moral Judgments. 10th Midterm Conference of the European Sociological Association Research Networks Sociology of the Arts (RN2) & Sociology of Culture (RN7): Malta (2018, september 6).
  • L.E. Braden (2016). Collectors and Collections: Recognition of the World’s Top Art Collectors. International conference on the art market in a global perspective: University of Amsterdam (2016, januari 28 - 2016, januari 30).
  • L.E. Braden, M. Punt & T. Teekens (2016). Symbolic Networks: How Museum Exhibitions Signal Artists for Historical Commemoration. 111th American Sociological Association Annual Meeting: Seattle, USA (2016, augustus 20 - 2016, augustus 23).
  • L.E. Braden (2015). Cultural Entrepreneurship in the 20th century: The establishment of the art historical ideology in the US art world. European Sociological Association 12th Annual Conference: Prague (2015, augustus 25 - 2015, augustus 28).
  • L.E. Braden & T.J. Dowd (2014). Culture Section’s Session on “Cultural Consumption in a Changing World” (Co-Sponsored with the Section on Consumers and Consumption). American Sociological Association’s 109th Annual Conference: (2014, augustus 16 - 2014, augustus 19).
  • L.E. Braden (2013). Social Factors’ Effect on Recognition for Top Art Collectors Internationally from 1990 to 2011. Section on Cultural Capital, European Sociological Association Conference: Turin, Italy (2013, augustus 25 - 2013, augustus 30).
  • L.E. Braden (2013). Hanging Together: Career Effects of Curatorial Created Associations between Artists. Section on Sociology of Culture, 108th American Sociological Association Annual Meeting: New York City, USA (2013, augustus 15 - 2013, augustus 20).
  • L.E. Braden (2012). Institutional Consecration of Artists in the US Field of Modern Art. Reconnaissance et Consecration Artistiques: Universite de Poitiers, Poitiers, France (2012, november 2 - 2012, november 6).
  • L.E. Braden (2011). The Persistence of Memory: Art Historical Canon Formation in the United States during the 20th Century. Section on Sociology of Culture, 106th ASA Annual Meeting: Las Vegas, USA (2011, augustus 16 - 2011, augustus 22).
  • L.E. Braden (2010). Building a Canon: A Longitudinal Examination of the Canonization of Modern Artists in the US. Regular Session on Sociology of Culture, 105th ASA Annual Meeting: Atlanta, USA (2010, augustus 15).
  • L.E. Braden (2008). From the Armory to Academia: Careers and Reputations of Early Modern Artists in the United States. Classifications of Arts and Media Conference: Erasmus University, Rotterdam, Netherlands (2008, juni 1 - 2008, juni 5).

• Scientific positions (1)

  • L.E. Braden (2014-2014). Presider for Cultural Studies Regular Session. Position with : American Sociological Association’s 109th Annual Conference.

• Award (7)

  • L.E. Braden (2016). Careers by design: Designer as interdisciplinary worker. VENI Innovational Research Incentive Scheme: Netherlands (2015, november 15 - 2019, november 15). Overig.
  • L.E. Braden (2011). Research Award for Innovative Use of Primary Sources in Research, Center for Research Libraries. http://www.crl.edu/focus/article/7265: . Overig.
  • L.E. Braden (2010). Dissertation Fellowship in Women’s Studies, Woodrow Wilson National Fellowship Foundation. Overig.
  • L.E. Braden (2010). On Recent Discoveries by University Researchers, Howard Hughes Medical Institute. Overig.
  • L.E. Braden (2009). Research award grant for social network analysis (University of Kentucky). Overig.
  • L.E. Braden (2009). Research award, Fox Center for Humanistic Inquiry. Overig.
  • L.E. Braden (2008). Research grant (Library and Archives at the Museum of Modern Art, New York). Overig.

Teaching (8)

Present position