dr. (Michael) ML Wayne

All publications (20)

• Article (10)

  • M.L. Wayne (2018). Netflix, Amazon, and branded television content in subscription video on-demand portals. Media Culture & Society (print), 40 (5), 725-741. doi: 10.1177/0163443717736118
  • M.L. Wayne (2018). Between the programme and the portal: Thinking about the future of transnational TV branding. Critical Studies in Television, 13 (4), 510-514. doi: 10.1177/1749602018796747
  • M.L. Wayne (2017). Depicting the racist past in a “postracial” age: the white, male protagonist in Hell on Wheels and The Knick. Alphaville - Journal of Film and Screen Media, 13, 105-116.
  • M.L. Wayne (2016). Post-network audiences and cable crime drama. Northern lights: film & media studies Yearbook, 14 (1), 141-157. doi: 10.1386/nl.14.1.141_1
  • M.L. Wayne (2016). Middle-Class Viewers and Breaking Bad: Audience and Social Status in the Post-Network Era. The Projector: A Journal on Film, Media and Culture, 16 (1), 23-38.
  • M.L. Wayne (2016). Cultural class analysis and audience reception in American television’s ‘third golden age’. Interactions (Bristol): studies in communication & culture, 7 (1), 41-57. doi: 10.1386/iscc.7.1.41_1
  • M.L. Wayne (2016). Critically Acclaimed and Canceled: FX’s The Bridge, Channel as Brand, and the Adaptation of Scripted TV Formats. VIEW: Journal of European Television History and Culture, 5 (9), 116-125.
  • M.L. Wayne (2015). Guilty Pleasures and Cultural Legitimation: Exploring High‐Status Reality TV in the Postnetwork Era. Journal of Popular Culture, 48 (5), 990-1009. doi: 10.1111/jpcu.12337
  • M.L. Wayne (2015). Scholars as Audiences, Symbolic Boundaries, and Culturally Legitimated Prime- Time Cable Drama. Global Media Journal - German Edition, 5 (1), 1-16.
  • M.L. Wayne (2014). Mitigating Colorblind Racism in the Postnetwork Era: Class-Inflected Masculinities in The Shield, Sons of Anarchy, and Justified. The Communication Review, 17 (3), 183-201. doi: 10.1080/10714421.2014.930271

• Part of book - Chapter (4)

  • M.L. Wayne & A.L. Press (2017). Television. In R. Rycroft (Ed.), The American Middle Class: An Economic Encyclopedia of Progress and Poverty (pp. 989-992). Denver, CO: Greenwood
  • M.L. Wayne (2015). Post-Network Era Television, Cultural Hierarchies, and the Sociological Uses of The Wire beyond Urban Inequality. In The Wire in the College Classroom: Pedagogical Approaches to the Humanities (pp. 47-60). Jefferson, NC: McFarland
  • A.L. Press, F. Mai, F. Tripodi & M.L. Wayne (2015). Audiences, Media. In J. Wright (Ed.), International Encyclopedia of Social and Behavioral Science, 2nd Edition (pp. 216-222). Amsterdam: Elsevier
  • M.L. Wayne (2014). Appreciating Nietzsche in Episodic Drama: The Highbrow Intertextuality and Middlebrow Reception of Criminal Minds. In Critical Reflections on Audience and Narrativity: New Connections, New Perspectives (pp. 49-62). Stuttgart: Ibidem-Verlag

• Lecture (6)

  • M.L. Wayne (2019, maart 16). “Stagnation is the New Up”: Netflix Original Series and Multi-Channel Providers in Israel. Seattle, Washington, USA, Society for Cinema & Media Studies Annual Conference.
  • M.L. Wayne (2019, mei 24). “Stagnation is the New Up”: A Case Study of Global SVODs and Multi-Channel Providers in Israel. Washington D.C., USA, International Communication Association Annual Meetings.
  • M.L. Wayne (2019, mei 24). Off-the-Record and Into Print: Making the Most of Industry Interviews in the Age of Netflix. Washington D.C., USA, International Communication Association Annual Meetings.
  • M.L. Wayne (2019, juli 11). Constructing the Racist Past in a Post-Racial Age: Colorblind Audiences and Cinemax’s The Knick. Madrid, Spain, International Association for Media and Communication Research.
  • M.L. Wayne (2019, oktober 24). Branding Young: Marketing OTTs in the Shadow of Netflix. University of Groningen, Groningen, Netherlands, Biannual Conference of the Television Studies Section of ECREA (European Communication Research and Education Association).
  • M.L. Wayne (2018, september 5). Netflix and the National Television Industry: Examining Multi-Channel Providers in Israel. Ormskirk, UK, Critical Studies in Television Conference.

Teaching (11)

Present position