dr. (Michael) ML Wayne
Lecturer Erasmus School of History, Culture and Communication Department of Media and Communication
- Location
- Burg. Oudlaan 50, Rotterdam
- Room
- M8-39
- Telephone
- 0104082472
- wayne@eshcc.eur.nl
‹ Back to overview
Profile
Michael holds a PhD in sociology from the University of Virginia, USA. From 2015 to 2018, Michael was a Kreitman Post-Doctoral Research Fellow in the Department of Communication Studies at Ben-Gurion University of the Negev, Israel. He is currently a member of the Global Internet TV Consortium and previously served as the managing editor of The Communication Review between 2011 and 2015.
Michael’s research uses a variety of qualitative methods to address television industries, audiences, and texts from a critical perspective. His work has been published in Media, Culture & Society, Journal of Popular Culture, Interactions: Studies in Communication & Culture, and Journal of Popular…
Michael holds a PhD in sociology from the University of Virginia, USA. From 2015 to 2018, Michael was a Kreitman Post-Doctoral Research Fellow in the Department of Communication Studies at Ben-Gurion University of the Negev, Israel. He is currently a member of the Global Internet TV Consortium and previously served as the managing editor of The Communication Review between 2011 and 2015.
Michael’s research uses a variety of qualitative methods to address television industries, audiences, and texts from a critical perspective. His work has been published in Media, Culture & Society, Journal of Popular Culture, Interactions: Studies in Communication & Culture, and Journal of Popular Television.
- M.L. Wayne (2020). Global Portals in National Markets: Branding Netflix in Israel. Journal of Cinema and Media Studies, 59 (3), 149-153. doi: 10.1353/cj.2020.0037
- M.L. Wayne (2019). Global Streaming Platforms and National Pay-Television Markets: A Case Study of Netflix and Multi-Channel Providers in Israel. The Communication Review. doi: 10.1080/10714421.2019.1696615 [go to publisher's site]
- M.L. Wayne (2018). Between the programme and the portal: Thinking about the future of transnational TV branding. Critical Studies in Television, 13 (4), 510-514. doi: 10.1177/1749602018796747
- M.L. Wayne (2018). Netflix, Amazon, and branded television content in subscription video on-demand portals. Media Culture & Society (print), 40 (5), 725-741. doi: 10.1177/0163443717736118
- M.L. Wayne (2017). Depicting the racist past in a “postracial” age: the white, male protagonist in Hell on Wheels and The Knick. Alphaville - Journal of Film and Screen Media, 13, 105-116.
- M.L. Wayne (2016). Middle-Class Viewers and Breaking Bad: Audience and Social Status in the Post-Network Era. The Projector: A Journal on Film, Media and Culture, 16 (1), 23-38.
- M.L. Wayne (2016). Post-network audiences and cable crime drama. Northern lights: film & media studies Yearbook, 14 (1), 141-157. doi: 10.1386/nl.14.1.141_1
- M.L. Wayne (2016). Cultural class analysis and audience reception in American television’s ‘third golden age’. Interactions (Bristol): studies in communication & culture, 7 (1), 41-57. doi: 10.1386/iscc.7.1.41_1
- M.L. Wayne (2016). Critically Acclaimed and Canceled: FX’s The Bridge, Channel as Brand, and the Adaptation of Scripted TV Formats. VIEW: Journal of European Television History and Culture, 5 (9), 116-125.
- M.L. Wayne (2015). Scholars as Audiences, Symbolic Boundaries, and Culturally Legitimated Prime- Time Cable Drama. Global Media Journal - German Edition, 5 (1), 1-16.
- M.L. Wayne (2015). Guilty Pleasures and Cultural Legitimation: Exploring High‐Status Reality TV in the Postnetwork Era. Journal of Popular Culture, 48 (5), 990-1009. doi: 10.1111/jpcu.12337
- M.L. Wayne (2014). Mitigating Colorblind Racism in the Postnetwork Era: Class-Inflected Masculinities in The Shield, Sons of Anarchy, and Justified. The Communication Review, 17 (3), 183-201. doi: 10.1080/10714421.2014.930271
- M.L. Wayne (2013). Moral Ambiguity, Colorblind Ideology, and the Racist Other in Prime-Time Cable Drama. Cinephile - The University of British Columbia's Film Journal, 9 (1), 15-19.
- M.L. Wayne & A.L. Press (2017). Television. In R. Rycroft (Ed.), The American Middle Class: An Economic Encyclopedia of Progress and Poverty (pp. 989-992). Denver, CO: Greenwood
- M.L. Wayne (2015). Post-Network Era Television, Cultural Hierarchies, and the Sociological Uses of The Wire beyond Urban Inequality. In The Wire in the College Classroom: Pedagogical Approaches to the Humanities (pp. 47-60). Jefferson, NC: McFarland
- A.L. Press, F. Mai, F. Tripodi & M.L. Wayne (2015). Audiences, Media. In J. Wright (Ed.), International Encyclopedia of Social and Behavioral Science, 2nd Edition (pp. 216-222). Amsterdam: Elsevier
- M.L. Wayne (2014). Appreciating Nietzsche in Episodic Drama: The Highbrow Intertextuality and Middlebrow Reception of Criminal Minds. In Critical Reflections on Audience and Narrativity: New Connections, New Perspectives (pp. 49-62). Stuttgart: Ibidem-Verlag
- M.L. Wayne (2019, mei 24). “Stagnation is the New Up”: A Case Study of Global SVODs and Multi-Channel Providers in Israel. Washington D.C., USA, International Communication Association Annual Meetings.
- M.L. Wayne (2019, mei 24). Off-the-Record and Into Print: Making the Most of Industry Interviews in the Age of Netflix. Washington D.C., USA, International Communication Association Annual Meetings.
- M.L. Wayne (2019, maart 16). “Stagnation is the New Up”: Netflix Original Series and Multi-Channel Providers in Israel. Seattle, Washington, USA, Society for Cinema & Media Studies Annual Conference.
- M.L. Wayne (2019, juli 11). Constructing the Racist Past in a Post-Racial Age: Colorblind Audiences and Cinemax’s The Knick. Madrid, Spain, International Association for Media and Communication Research.
- M.L. Wayne (2019, oktober 24). Branding Young: Marketing OTTs in the Shadow of Netflix. University of Groningen, Groningen, Netherlands, Biannual Conference of the Television Studies Section of ECREA (European Communication Research and Education Association).
- M.L. Wayne (2018, september 5). Netflix and the National Television Industry: Examining Multi-Channel Providers in Israel. Ormskirk, UK, Critical Studies in Television Conference.
Media and Communication Theory
- Title
- Media and Communication Theory
- Year
- 2019
- Year level
- (Pre-master) (Pre-master) (BA-2) (Minor) (Pre-master) (BA-2) (Pre-master)
Media Systems in Comparative Perspective
- Title
- Media Systems in Comparative Perspective
- Year
- 2019
- Year level
- (BA-1) (Pre-master) (Pre-master)
Media Industries and Audiences
- Title
- Media Industries and Audiences
- Year
- 2019
- Year level
- (BA-1)
Qual. Methods in Media and Comm.
- Title
- Qual. Methods in Media and Comm.
- Year
- 2019
- Year level
- (BA-2) (Pre-master) (Pre-master) (Pre-master) (Pre-master)
Television in the Digital Age
- Title
- Television in the Digital Age
- Year
- 2019
- Year level
- (BA-2) (BA-3)
Television and Society
- Title
- Television and Society
- Year
- 2019
- Year level
- (BA-2) (BA-3)
Methods of Media Research I
- Title
- Methods of Media Research I
- Year
- 2019
- Year level
- (MA)
Master Class
- Title
- Master Class
- Year
- 2019
- Year level
- (MA) (MA) (MA) (MA)
Methods of media research II
- Title
- Methods of media research II
- Year
- 2019
- Year level
- (MA) (MA) (MA) (MA)
Master's Thesis
- Title
- Master's Thesis
- Year
- 2019
- Year level
- (MA) (MA) (MA) (MA)
Lecturer
- University
- Erasmus University Rotterdam
- School
- Erasmus School of History, Culture and Communication
- Department
- Department of Media and Communication
- Country
- The Netherlands
- Telephone
- 0104082472