dr. (Michael) ML Wayne

Lecturer Erasmus School of History, Culture and Communication

Location: Burg. Oudlaan 50, Rotterdam
Room: M8-39
Email: wayne@eshcc.eur.nl

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Profile

Michael holds a PhD in sociology from the University of Virginia, USA. From 2015 to 2018, Michael was a Kreitman Post-Doctoral Research Fellow in the Department of Communication Studies at Ben-Gurion University of the Negev, Israel. He is currently a member of the Global Internet TV Consortium and previously served as the managing editor of The Communication Review between 2011 and 2015.

Michael’s research uses a variety of qualitative methods to address television industries, audiences, and texts from a critical perspective. His work has been published in Media, Culture & Society, Journal of Popular Culture,* Interactions: Studies in Communication & Culture*, and Journal of Popular Television.

Michael L. Wayne & Ana C. Uribe Sandoval (2021) - Netflix original series, global audiences and discourses of streaming success - Critical Studies in Television, 1-20 - doi: 10.1177/17496020211037259
Michael L. Wayne (2021) - Netflix audience data, streaming industry discourse, and the emerging realities of ‘popular’ television - Media, Culture and Society, 1-17 - doi: 10.1177/01634437211022723
Michael Wayne & Deborah Castro Marino (2020) - SVOD Global Expansion in Cross-National Comparative Perspective: Netflix in Israel and Spain - Television & New Media, 1-18 - doi: 10.1177/1527476420926496
Michael Wayne (2020) - Global Portals in National Markets: Branding Netflix in Israel - Journal of Cinema and Media Studies, 59 (3), 149-153 - doi: 10.1353/cj.2020.0037
Michael Wayne (2019) - Global Streaming Platforms and National Pay-Television Markets: A Case Study of Netflix and Multi-Channel Providers in Israel - The Communication Review - doi: 10.1080/10714421.2019.1696615 - [link]
Michael Wayne (2018) - Netflix, Amazon, and branded television content in subscription video on-demand portals - Media Culture & Society (print), 40 (5), 725-741 - doi: 10.1177/0163443717736118
Michael Wayne (2018) - Between the programme and the portal: Thinking about the future of transnational TV branding - Critical Studies in Television, 13 (4), 510-514 - doi: 10.1177/1749602018796747
Michael Wayne (2017) - Depicting the racist past in a “postracial” age: the white, male protagonist in Hell on Wheels and The Knick - Alphaville - Journal of Film and Screen Media, 13, 105-116
Michael Wayne (2016) - Cultural class analysis and audience reception in American television’s ‘third golden age’ - Interactions (Bristol): studies in communication & culture, 7 (1), 41-57 - doi: 10.1386/iscc.7.1.41_1
Michael Wayne (2016) - Post-network audiences and cable crime drama - Northern lights: film & media studies Yearbook, 14 (1), 141-157 - doi: 10.1386/nl.14.1.141_1
Michael Wayne (2016) - Critically Acclaimed and Canceled: FX’s The Bridge, Channel as Brand, and the Adaptation of Scripted TV Formats - VIEW: Journal of European Television History and Culture, 5 (9), 116-125
Michael Wayne (2016) - Middle-Class Viewers and Breaking Bad: Audience and Social Status in the Post-Network Era - The Projector: A Journal on Film, Media and Culture, 16 (1), 23-38
Michael Wayne (2015) - Scholars as Audiences, Symbolic Boundaries, and Culturally Legitimated Prime- Time Cable Drama - Global Media Journal - German Edition, 5 (1), 1-16
Michael Wayne (2015) - Guilty Pleasures and Cultural Legitimation: Exploring High?Status Reality TV in the Postnetwork Era - Journal of Popular Culture, 48 (5), 990-1009 - doi: 10.1111/jpcu.12337
Michael Wayne (2014) - Mitigating Colorblind Racism in the Postnetwork Era: Class-Inflected Masculinities in The Shield, Sons of Anarchy, and Justified - The Communication Review, 17 (3), 183-201 - doi: 10.1080/10714421.2014.930271
Michael L. Wayne (2014) - Ambivalent anti-heroes and racist rednecks on basic cable: - Journal of Popular Television, 2 (2), 205-225 - doi: 10.1386/jptv.2.2.205_1
Michael Wayne (2013) - Moral Ambiguity, Colorblind Ideology, and the Racist Other in Prime-Time Cable Drama - Cinephile - The University of British Columbia's Film Journal, 9 (1), 15-19

Michael Wayne (2020) - Netflix Nations: The Geography of Digital Distribution - Journal of Communication, 1-3 - doi: 10.1093/joc/jqz050

Michael Wayne & AL Press (2017) - Television - Greenwood
Michael Wayne (2015) - Post-Network Era Television, Cultural Hierarchies, and the Sociological Uses of The Wire beyond Urban Inequality - McFarland
AL Press, F Mai, F Tripodi & Michael Wayne (2015) - Audiences, Media - Elsevier
Michael Wayne (2014) - Appreciating Nietzsche in Episodic Drama: The Highbrow Intertextuality and Middlebrow Reception of Criminal Minds - Ibidem Verlag

Michael Wayne (2019) - Branding Young: Marketing OTTs in the Shadow of Netflix - Biannual Conference of the Television Studies Section of ECREA (European Communication Research and Education Association)
Michael Wayne (2019) - Constructing the Racist Past in a Post-Racial Age: Colorblind Audiences and Cinemax’s The Knick - International Association for Media and Communication Research
Michael Wayne (2019) - “Stagnation is the New Up”: A Case Study of Global SVODs and Multi-Channel Providers in Israel - International Communication Association Annual Meetings
Michael Wayne (2019) - Off-the-Record and Into Print: Making the Most of Industry Interviews in the Age of Netflix - International Communication Association Annual Meetings
Michael Wayne (2019) - “Stagnation is the New Up”: Netflix Original Series and Multi-Channel Providers in Israel - Society for Cinema & Media Studies Annual Conference
Michael Wayne (2018) - Netflix and the National Television Industry: Examining Multi-Channel Providers in Israel - Critical Studies in Television Conference